Lino Toffolo
The family of a wealthy nobleman tries to take away his land away after learning that he is having an affair with an imaginary woman.
A handful of recruits prepares for a war that nobody knows about the purpose or the motive. The field commander is a general who plays with a Marx puppet and lives in a luxurious palace that looks like a cabin from the outside. His orderlies are a captain who lives in Arabic dress in a curtain and a sergeant in training who does not shine for intelligence. Continuing training between various and grotesque accidents until the order arrives for the front. And then?
This homage to Italy’s “White Telephone” films (sophisticated comedy-dramas revolving around working-class girls) of the 1930s gives Agostina Belli her best role – going from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar. Incidentally, the English title evokes memories of Octave Mirbeau’s ‘scandalous’ novel “Diary Of A Chambermaid” – thrice brought to the screen (in Hollywood in 1946 by Frenchman Jean Renoir, in France in 1964 by Spaniard Luis Bunuel and in 1974, typically as a sexploitationer, by prolific “Euro-Cult” exponent Jess Franco: the latter being the only one I haven’t watched and don’t own in any form). At other points in the narrative, the film also reminded me of A STAR IS BORN (itself filmed several times) and BELLE DE JOUR (1967), Bunuel’s celebrated classy treatment of prostitution…
Greedy relatives hire a sensual caregiver to hasten the demise of a wealthy count suffering from a heart condition.
Sandro dreams about a woman older than himself. He works as a lifeguard at the beach and at the same time he's caring for a large number of sexually unsatisfied women who are coming for the weekend without their husbands.
Movie starts with a small boy watching his father boarding a ship to America. Years later, all grown up and in colour, Pippolo Cavallo (Adriano Celentano) takes the same route (dressed as a woman) to search for his father and begin a new life.
Two brothers-in-law, a smuggler and the other traffic policeman, get hold of a large sum of money, destined for illegal exportation to Switzerland, after the courier is killed in a fire fight with the border police. The owners of the money, which occupy an important social position, try in every way to recover it, also leveraging the weakness of the policeman. After the petty betrayal of his brother-in-law, the smuggler decides to keep all the money and flee to Switzerland.
Niccolò Vivaldi is a cello player and he plays in Arena di Verona Orchestra. But he is not the first and neither the second cello. He is frustrated. Nobody can remember his face, nor his name. Niccolò is married to Costanza, who is really beautiful and he takes some pictures of her naked. Later he shows the pictures to a friend and so he feels better. He starts to write a comic opera called "Il merlo maschio" only to discover later he had written Rossini's "La gazza ladra". To maintain his self-esteem he can only show his wife...
A poor laborer, Zilio, wants to marry Betìa, the daughter of a rich peasant woman. After number of refusals Zilio is desperate, but Nale, a young lover, combines a frontal marriage between the two, convinced they can take advantage of it. After the ceremony, however, the legitimate husband stabs Nale who seemingly dies, but actually prepares a joke for the couple.
An heiress (Piccolo) fakes her own kidnapping in order to get money from her parents and hides in the river Po's delta among eel fisherman and is helped by a small time smuggler (Toffolo).
Cavemen Ulli (Giuliano Gemma), Kao (Lando Buzzanca), Grrr, Put, Zog, Maluo and Uto meet Filli (Senta Berger) with the light-brown tail.
After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.
When three drifters come into the possession of stolen gold they are imprisoned then sprung by a friend and tracked by the outlaw Jackson brothers, who originally stole the gold.
Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
