Lior Shamriz
A triptych about projections on bodies, made by projecting on my body.
In 1934 Berlin, a Black Jew who is married to a White German is visited by a friend who urges him to flee the country. A screening of a German expressionistic film about a horny Golem resurrected by Mark Zuckerberg is disrupted by a visit of a man from the future.
About two men. Lovers, but not in love. Heroes of three episodes in different times and places. In 1978 southern California they escape the city to go and enjoy themselves in a motel; in contemporary L.A they put up a play in a gentrifying neighborhood in the eastern part of town; and in the third episode, filmed in late 2014, taking place in an undefined place, they are victims of a terror attack on a nightclub.
Korea, the now: A young man makes a fateful encounter with a stranger he passionately falls in love with. When Unk rides his scooter through the night he fails to notice a drunk pedestrian, a man called Boaz, and hits him. The accident has unforeseen repercussions since shortly afterwards Unk and Boaz start an intense relationship that leads into a gradually worsening dependency.
Lost love, lost artistic collaboration, the two are meeting for one night as she briefly visits the city where he still lives.
A person of undefined gender and ethnicity is sent by a German cultural institution to a city in China, where s/he experiences a cruel conspiracy against her/his loved one.
A contemporary love story taking place in the heart of Europe, of two passionate young persons, whose sense of reality is too frequently mediated by a failure to 'live in the moment' and by computer screens.
Lucy, a privileged North American in contemporary Berlin, living a life of post Punk hedonism, roams the streets with her best friend, Derek. Together they use the city like a playground, a stage, and a never ending party. Into their lives enters Galia, a young Israeli woman carrying the promise of a better, cleaner way of living. A tribute to Punk underground films turns into a melodrama in "Saturn Returns", mirroring Lucy and Galia's modulating states of mind. Our and their look into each other's life and culture, becomes an investigation of empty facades. The film was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.
Nineteen year old Imri, a handsome ex-soldier, suffers from “Yellow Fever”. He was born in Israel but yearns to live in Japan.
