Lo Ming-Yau
A businessman moves his family from the city to the countryside to open a school.
A 1935 B&W Chinese movie, with Chinese intertitles. It stars Ruan Lingyu and Lily Li, two of the biggest female stars of the era, and was Ruan Lingyu's final role, being released after her suicide. It was filmed by Kuomintang-aligned Bo Ying Studios.
Young sprinter Lin Ying enrolls in a sports college in Shanghai. As she becomes a sports celebrity, she starts to mangle with the upper class and has gradually forgotten the true essence of sports.
Sister Ye lives in a rural village, where everyone makes traditional toys. When Sister Ye's husband dies of an unknown illness, and while Ye is attending to him, her son is kidnapped and sold to a wealthy lady in the city of Shanghai. Shortly after, the village is destroyed during an attack between rival warlords, forcing the villagers move to the city, where they continue to make toys. Ten years pass, and Ye's daughter Zhu'er has become a toy designer. While helping the Nationalist army at the rear, Zhu'er is killed in an attack by the Japanese. On New Year's Eve, Sister Ye is dressed in rags, sitting on the curb, selling toys. A young boy buys toys from her, and it is none other than her son, whom she does not recognize.
A country girl and her boyfriend arrive in Shanghai for a better life. They soon find only desperation. She is raped and falls into prostitution as he drifts into revolutionary circles. Her access through her trade grants her greater access which she uses to aid her revolutionary lover with tragic results.
A Chinese couple in the 1930s struggle to survive. Things get complicated for them when he enlists to fight the war against Japan.
This is a silent film from China made in 1931. It is about two leads in a film, Yan (Raymond King) and Ying (Violet Wong). They meet after hearing Ying sing while another movie is being shot. You, of course, don't get to hear the song, but it catches people's attention. Once they meet and work together, they fall in love. Is it forever?
This film depicting the lives of ordinary people — street peddlers, poor scholars, and young revolutionaries — reflects the culturally progressive political climate of that pre-War, post-May the 4th era.
