Lola Lemos
Sister Angela and Sister Mary park his van in front of a bank branch. They enter the bank and with the weapons hidden under their habits, commit the robbery of the century, to the astonishment of all employees and customers. After thorough police investigation the two nuns are arrested, but then appears Trini, twin sister of one of them and now all is not so clear. Were the nuns who committed the robbery?
¡Ay, Señor, Señor! was a 26-episode Spanish television sitcom transmitted by Antena 3 between 1994 and 1995. It tells of the adventures of a modern, open-minded priest, portrayed by the actor Andrés Pajares. The series kick-started several acting careers, including those of Javier Cámara and Neus Asensi. The singer Massiel starred in four episodes and Paloma Cela in nine, with many other actors and actresses making regular or guest appearances.
This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.
In a well-acted historical drama about clashes between opposite ends of the economic and cultural spectrum, a literal witch hunt in a Basque village sets orthodox religion against pagan beliefs, feudal lords against the impoverished peasantry, abusive men against defenseless women, and in some ways, Spaniards against Basques. The witches are female and from the lower classes, the persecutors are wealthy white Christians. The story revolves around Garazi (Silvia Munt) whose grandmother is burned at the stake when convicted by the Spanish inquisitor of being a witch, something that brings Garazi under suspicion and eventually into prison. She is tortured in prison and raped by her rejected suitor, the vicious son of a local landlord. While Garazi is suffering her own pain, a struggle on a much broader scale is in the offing.
The Eternal Spain, birthplace of the Cid, Hammer of Heretics... and other deserved historical appellations, is suddenly transformed, through democratic elections, in a chaotic Tower of Babel where every province, every town, each village wants to have its own opinion. Comedy about the rise of nacionalism in the different Spanish regions with the arrival of democracy.
Sebastian (Alfredo Landa), dressmaker of great prestige, is aware of the boredom that produces sexual routine with his wife. Is then made with a good amount of erotic material, including books and magazines and catching up on what is current in the sexual aspects. His wife, alarmed at the new attitude of Sebastian, there is even the possibility to enter. Sebastian, determined to modernize the extreme, organize a parade with new models essentially erotic.
Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.
The brain of a male engineer is transplanted into a female’s body. He soon finds it very frustrating to cope with the daily sexist discrimination most women deal with. For example, he is surprised when no one will hire a female engineer. When he is faced with dealing with female sexuality, he quickly begins exhibiting lesbian tendencies.
Peter is a widower who writes crime novels, signing as Peter P. Peter, and is about to marry Beatriz (Analia Gade), a widow who proves to be a ruthless woman who makes his life miserable. As an expert in inventing crimes committed by his characters, he imagines a plan to get rid of his new wife. The trouble is that she also plans to kill him.
Lorenzo is a handsome, intelligent, charming, elegant and liberal man. All he asks for is total devotion. And Margarita, foolishly, falls in love with him…
Isabel returns to Spain, after several years of absence, to be cured of a neurosis. His daughter Ana, whom he has not seen in all this time, decides to spend the holidays with her, taking advantage of the fact that her boyfriend has gone to study in Germany. During her stay in the sanatorium, Ana meets Mario, an attractive young man somewhat unbalanced, who tries to seduce her. Although at first she does not show any interest, little by little she becomes attracted to him.
