Louise Lasser
Meet Elliot Brown. He is one of Brooklyn's most neurotically sweet and eligible bachelors . . . who also happens to be pushing forty and living with his mother. Not getting any younger, Elliot embarks on a 3000 mile road trip across the country to take a chance on a girl he has never met. His travel companion? Her fun-loving sister. Now, he must face his fears, confront his past and learn to take risks to be the man worthy of her love. Buckle up. It's going to be a crazy drive.
Iconic writer, director, actor, comedian and musician Woody Allen allowed his life and creative process to be documented on-camera for the first time. With this unprecedented access, Emmy-winning, Oscar-nominated filmmaker Robert B. Weide followed the notoriously private film legend over a year and a half to create the ultimate film biography. "Woody Allen: A Documentary" chronicles Allen's career - from teen writer to Sid Caesar's TV scribe, from stand-up comedian to award-winning writer-director averaging one film-per-year for more than 40 years. Exploring Allen's writing habits, casting, directing, and relationship with his actors first-hand, new interviews with A-listers, writing partners, family and friends provide insight and backstory to the usually inscrutable filmmaker.
National Lampoon's Gold Diggers is a black comedy about two losers in their twenties, Calvin Menhoffer (Will Friedle) and Leonard Smallwood (Chris Owen), who are out to get the good life without working for it. The two young men try to rob two 70-year-old sisters, Betty Mundt (Renee Taylor) and Doris Mundt (Louise Lasser). The two sisters beat the two young men up, and send them to jail. The ladies drop the charges, and invite the jailbirds to their Beverly Hills mansion. Cal gets an idea that they could marry the women for their money and live the good life. Hopefully, they will only live 6-months and at most one-year. It turns out that Betty and Doris are broke, and they have come up with a plan to marry the boys, kill them, and collect the life insurance money. After several unsuccessful murder attempts on each other, they join forces to rob Betty and Doris's rich uncle
Jeff Allen just got a new job in one of Manhattan's wealthiest brokerage firms, Wolfe Brothers. Here young, good-looking stockbrokers make a lot of money by being particularly cutthroat. Jeff finds out that the real secret to their success is an animal instinct that is turning him into a werewolf, but it may be too late for him to get out.
A quirky, romantic New York comedy about the pursuit of love, life and the right to be yourself.
How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth.
The hopes and dreams of four ambitious people are shattered when their drug addictions begin spiraling out of control. A look into addiction and how it overcomes the mind and body.
When Champion City's hero Captain Amazing is kidnapped by the recently paroled supervillain Casanova Frankenstein, a trio of average, everyday superheroes -- Mr. Furious, the Shoveler and the Blue Raja -- assemble a new super team to save him.
Donna witnesses identical murders on the same street on different days. Is this a supernatural conspiracy or is she merely cracking up?
Sam has a problem with his roommates: they are disgusting, and don't seem to share his views on responsibility, privacy, and basic hygine. Such is his discomfort with his living arrangements that he agrees to share the occupancy of another flat: he gets two nights a week, the owner (a sleazy frat-boy yuppie named Brian, soon to be married) and Ellen (a would-be painter seeking relief from her boring marriage) each get their seperate nights in the flat. Things go extremely well until Sam and Brian swap nights without telling Ellen, who attributes the "nice" things that happen around the place to the slob Brian, while berating the responsible Sam for his hedonistic lifestyle.
A medical school dropout loses his fiancée in a tragic lawnmower incident and decides to bring her back to life. Unfortunately, he was only able to save her head, so he goes to the red light district in the city and lures prostitutes into a hotel room so he can collect body parts to reassemble her.
In the later 1960s, two hippies are forced to leave their friends as they are wanted by the FBI, who sees them as criminals. They hide in the jungle for 20 years, secluded from the outside world. In the later 1980s, the find out that a secret war is about to start in the US, and decide to return to New York to tell someone about it.
In 1974, Terry commits a murder and pins it on his twin brother, Todd. Ten years later, Todd escapes from a mental institution on the same day as Terry’s murderous instincts resurface.
A young man from Iowa comes to New York hoping to make it as an actor. However, he doesn't get a break and is almost out of money. So another actor who moonlights as a stripper encourages him to try it out. Eventually, he becomes the headliner of the club but his acting aspirations are in danger because of it.
It's a Living is an American sitcom set in a restaurant at the top of the Bonaventure Hotel in Los Angeles. The show aired on ABC from October 30, 1980 until June 11, 1982. After the series was cancelled, new episodes aired in first-run syndication from September 28, 1985 to April 8, 1989. The series was created by Stu Silver, Dick Clair and Jenna McMahon, and produced by Witt/Thomas Productions, later in association with Golden West Television and Lorimar-Telepictures.
A naive monk, named Brother Ambrose (Marty Feldman), is sent by the abbot on a mission to raise $5,000 in order to save their monastery from closing. He goes to Hollywood where he encounters a number of eccentric characters.
Mary Hartman, Mary Hartman is an American soap opera parody that aired in daily syndication from January 1976 to May 1977. The series was produced by Norman Lear, directed by Joan Darling and Jim Drake, and starred Louise Lasser. The series writers were Gail Parent and Ann Marcus. The show's title was the eponymous character's name stated twice, because Lear and the writers believed that everything that was said on a soap opera was said twice. In 2004 and 2007, Mary Hartman, Mary Hartman was ranked #21 and #26 on "TV Guide's Top Cult Shows Ever".
An airline stewardess juggles a life that includes a husband in Los Angeles and another one in London.
While searching for a small fortune of embezzled money, an ex-con, a small-time bandleader, his doting wife and a kooky drifter find themselves being followed. Their chase takes them to trailer camps, bingo halls, laundromats and ultimately, a showdown with a group of unconventional bad guys.
A small-town sheriff is confronted with the deaths of local senior citizens and strange goings-on in his town.
A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.
Dr. Harvey Wallinger is one of Nixon's aides who rises through the ranks to become the "real" power behind the president.
Julie Messinger is an intense woman who hides her wild emotions and desires under her conventional facade. Her husband Richard checks into the hospital for a simple mole removal that goes seriously wrong.
Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.
In comic Woody Allen's film debut, he took the Japanese action film "International Secret Police: Key of Keys" and re-dubbed it, changing the plot to make it revolve around a secret egg salad recipe.
A playboy who refuses to give up his hedonistic lifestyle to settle down and marry his true love seeks help from a demented psychoanalyst who is having romantic problems of his own.
