Luca Lionello
Against the fascinating backdrop of an ever marvellous Havana, Vittorio Arditi De Bellis, an aging Italian orchestra conductor once celebrated for specialising in Rossini's compositions, has fallen on hard times. However, some remember he delivered some of the best renditions of the Rossini-Kyrie, and he soon finds himself reluctantly on the way to Havana, Cuba, to conduct the Children's Cuban National Choir. Starting on the wrong foot he quickly finds himself on the verge of losing everything. Rossini's Cuban style and the choir's children are also protagonists in this heart-warming and nostalgic tale of living, loving, growing old and being unexpectedly surprised when he meets the Son he never knew he fathered years ago - Vittorio's past adds new purpose to his present, allowing an otherwise quirky old man to feel his passion and taste the 'spice of life' once again.
Falcino, a small town in the south of Italy. No one sees. No one hears. Nobody talks. But everyone knows. And so they all become accomplices of a tragedy against women, against kids, against a family. A story of violence and slavery. Indifference is stronger than their conscience. Maria, a young mother of a family, lives with her husband Gerardo and her two children, Rocco e Carmela, on her father-in-law's farm: "grandpà" Giuseppe. Gerardo decides to emigrate to Austria to earn more money so as to allow a more comfortable life for the family. This absence will be the beginning of a nightmare that will lead Maria and her daughter to be victims of abuse of an unscrupulous ogre (monster).
Three characters in three different ages are united by a dream of freedom and a small masterpiece of literature. A journey through the mysterious and timeless aspirations, sufferings and 'Reveries' of a poet, of a young student and a child lost in the woods.
Bota (Albanian for “the world”) is a cafe situated on the edge of a vast area of marshland in a remote part of Albania, and it is here that the lives of the protagonists intersect in this compelling debut by Iris Elezi and Thomas Logoreci. The directors skilfully exploit the genius loci of the desolate landscape and, aided by a period score and beguiling long shots, they flawlessly evoke the atmosphere of a place where the past still encroaches upon people’s lives.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
The film describes how Albanian graves were opened by Greeks and the contents moved and re-identified as being the bones of Greek soldiers from World War II.
Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.
Cover-boy racconta l’amicizia fra Ioan (Eduard Gabia) e Michele (Luca Lionello) l’uno rumeno e l’altro italiano. Due mondi che casualmente s’incontrano: l’esperienza di chi, figlio della rivoluzione post comunista, è fuggito dal proprio paese alla ricerca di un futuro migliore e l’esperienza di chi, precario, vive la crisi del lavoro occidentale.
A couple's pleasant new life in the country is threatened by the mysterious new next door neighbors.
Following the shooting of a film on the life of Jesus called This Is My Blood, Marie Palesi (Juliette Binoche), the actress who plays Mary Magdalene takes refuge in Jerusalem in search of the truth behind the myth. The director of the film, Tony Childress (Matthew Modine), who also plays Jesus, can think of only one thing: self-promotion. In New York, television journalist Ted Younger (Forest Whitaker) presents a programme about the life of Jesus.
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
August 1991. As post-Communist Albania starts falling apart, Giorgio seeks refuge in Italy.
In the city of Rome, Mirko Reggiani is not only a university student who can't happily graduate from the university but also an amateur and only one detective of MARLOV & CO. One day he meets a beautiful fair lady in a department store and falls immediately in love with her, but his best female friend hinders him. Soon, in a rather strange way, Mirko meets the lady, who is actually an unhappy housewife named Vera Grimaldi, again. Unfortunately it is not a happy reunion; both Mirko and Vera are deeply and almost independently trapped in a twisted web of vicious crime...
In the summer of 2010 the peaceful Italian coastal town of Porto Ercole became the scene of a momentous discovery.
