Luciana Souza
A retired army sergeant, a police officer and his wife and a drug dealer apparently have nothing in common, but they will unite for a greater good. When people start using explosives to fish on the edge of Salvador, Bahia, this group will do everything to end this environmental crime. But in the search for the paths that seem most correct, each one of them will go through more personal and moral conflicts.
During Carnival in San Paulo, a young man and young woman who knew each other as children meet again after many years and social barriers have kept them apart. On the day of the festival, Jonah commits a crime and kidnaps Branca in order to keep them both safe from his boss. Hiding in the whale, the main float for this years Carnival, the two reconnect and must make choices that will affect their lives forever.
In 1951, New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Mary is jealous, but unconventional Lota is determined to have both women at all costs. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet.
Naïve and provocative Gabriela is a raggedy migrant worker who arrives in town to mesmerize all with her playful and simple, yet raw sensuality. Set in 1925, the story unravels in Ilhéus, a quiet northeastern coastal city thriving with cocoa crops and aspirations for progress, even though the traditional ways still rule.
During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.
