Luciano Curreli
Numa Tempesta is a fascinating, charismatic, businessman at the top of his game. Driven by a ruthless, relentless need to succeed, Numa will stop at nothing to close a deal even if it means bending the law. That's until the law catches up to him and to avoid prison, Numa is sentenced to a year of community service in a homeless shelter. While there, Numa cannot conduct any business but he must close the deal of the century or lose his fortune. It will take Numa every crafty bone in his body to find a solution and he may just find it where he least expects it.
By chance some surreal characters arrive at the Happy Days Motel taking their grotesque stories.
3 August, Cagliari: a poor neighborhood. At three in the morning eleven-year-old Cate is woken by the screams of her eccentric neighbor. Cate wants to run away from that apartment, from her numerous and problematic siblings and her tyrannical father. Only Gigi, a neighbor, is worthy of her love. She does not want to end up like her sister Mandarina, who got pregnant at thirteen. Or like Samantha, the neighborhood sex siren. And today, on 3 August, Gigi’s life is in danger: Tonio, Cate’s brother, wants to kill him. Cate warns Luna, her best friend. The two of them spend the longest day of their lives between the city, the sea and a thousand adventures. But her beloved Gigi is in danger. And when everything seems lost, during the night a beautiful woman appears out of nowhere: the mysterious Aleni, a witch who apparently can see into people’s futures...
Set in Italy in the 1970s, VALLANZASCA is the true story of the Italian underworld’s most infamous outlaw. A criminal by age 9, Renato Vallanzasca grew up to become the country’s most notorious mobster before the age of 27. Vallanzasca and his gang wrested control of the Milan underworld with a string of high profile robberies, kidnappings and murders. In the process, he captivated the public and earned the nickname ‘il bel Renè’ – for his devilish charm and handsome face. Arrested multiple times, his daring escapes from prison enraged the government, angered his rivals and fed his legend.
Rimini, 1991. For more than a year, the uno bianca gang - they always use a white Fiat Uno - has plagued the area. Their crimes are violent, sometimes killing carabineri, and there's no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone; how far will they get?
"Regina Coeli" is the nickname with which inmates call Regina, voluntary assistant in Rome's Rebibbia jail, very involved in solidarity but lonely in his private life. The jail director entrusts her with the task to try re-educating Graziano, a young Sardinian sentenced for a kidnapping of which he always proclaimed himself to be innocent. Regina is way too much mature and lonely not to feel intrigued by the mysterious personality of the illiterate shepherd, who expresses himself only in his almost unintelligible Sardinian dialect.
A serial killer, called the Iguana, is terrorizing Bologna. He is able to change continuously identity. Grazia is investigating trying to find out the truth about the Iguana.
Angelo is an orphan who grew up with a nomad woman. He reacts to his pain over the death of his best friend for overdose, thanks to the encounter with Serena. She survives being a prostitute, but she has not lost hope. Angelo moves along an axis of characters in a desolate and poetic day without end.
It's new year's eve and two friends decide to spend the night in a special way, just to forget a sentimental disillusionment. After some failing experiences, the night becomes a nightmare, among fool policemen and maniac murderers.
In Pasquale Pozzessere's debut, a woman just out of prison falls in love with a man who saw steaing form a collection box in a church. Some critics saw a dry style next to Pasolini's as the director shows the two desperate individuals effort to build a sort of precarious family. In the end you could almost feel there's still a slender thread of hope for them to hang on
