Luciano De Crescenzo
Tracing the journey of a free thinker, engineer, writer, scriptwriter, actor and director through his life and work, Così Parlo De Crescenzo harnesses the energy of a man determined to transform the lives and culture of those around him. Born in Naples, Luciano De Crescenzo graduated in engineering and worked as a programmer for IBM until 1976, when he escaped the routine of his 'corporate prison' and published his first book.
SIE NANNTEN IHN SPENCER follows two of Bud Spencer's biggest fans on a road trip through Europe in search for their idol, who captured the hearts of millions and had so much more to offer than his legendary hammer-like fist blow.
The loves and jealousies of a group of teens emerge during a birthday party.
At the beginning of the century, in Italy, a wealthy woman Francesca (Loren), adopts a poor little girl named Nunziata. The years pass, Nunziata falls in love Federico (Bova), her adoptive brother, son of Francesca.
In this domestic comedy, Rosa (Sophia Loren), a mature mother of several children, is concerned that her beloved husband Don Peppino (Luca de Filippo) is losing interest in her, and does his best to provoke some jealousy in him. She is a masterful cook, and if her romantic charms are fading, her culinary skills are not. By one means and another, and after some amusing confrontations, she succeeds in keeping her husband from taking her for granted and harmony is restored.
The Pope is disturbed by the fact that today's youth are not as spiritually inclined as they should be, and so he decides to set up a Vatican television station and entice them back into the religion of their ancestors. In order to particularly grab the wandering flock, a priest invites the comedians from "The Other Sunday," an actual comedy program on Italian television, to perform on this new channel. He sets up a show that parodies an over-the-hill transvestite group, the Flagg Sisters, played by themselves. This understandably upsets one of the more eminent Cardinals who tries every means he can to stop the show. Nothing succeeds, and he can only assemble with all the other devout men of God to view the first live broadcast. Worked into the plot are several outrageously incongruous scenes that casually juxtapose the secular and sacred, including God at the wheel of a Fiat - what else would He drive?
