Lucien Nat
A tale of the tender relationship between a twelve-year-old boy and the upperclassman who is the object of his desire. All set in the rigid atmosphere of a Jesuit-run school.
Thérèse is living in a provincial town, unhappily married to Bernard, a dull, pompous man whose only interest is preserving his family name and property. They live in an isolated country mansion surrounded by servants. Early in her marriage her only comforts are her fondness for Bernard's pine-tree forest, which was her primary reason for marrying him, and her love for her sister-in-law and Bernard's half-sister, Anne. The movie recounts in flashback the circumstances that led to her being charged with poisoning her husband.
Summer 1870. Following the French defeat at Sedan. Léon, a soldier in a detachment isolated in the Ardennes forest, is sent in search of water. When he discovers the most peaceful of rivers, he decides to undress and bathe in it. At bend of the river he catches sight of another naked swimmer. It's a Prussian! Both men start bickering a bit: aren't they supposed to be arch enemies? But they soon fraternize. Unfortunately the patrol has not vanished in the haze and they hear it coming. Each man gets hold of his uniform and runs away in two opposite directions. The only trouble is that Fritz the Prussian has donned the French uniform and Leon the Prussian one!
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
The local building-contractor Martin Roumagnac is fascinated by the fashionable Blanche Ferrand. To impress Blache, Martin presents her with a villa. However, this ruins him financially. Despite Martin's many efforts for the now femme-fatal Blanche, she is not able to chose between him and the rich consul De Laubry.
Six friends promise to share their fortune in 5 years. The moment is very close, but one of the six is mysteriously murdered, then another... Superintendent Wenceslas Woroboyioetschik (aka Wens) is in charge of the investigation...
