Lucio Allocca
Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
The story of Padre Pio (1887-1968) from the onset of the stigmata during World War I, when he prayed that soldiers' suffering be his, until his death. The story is told by Emilia, Pio's friend, to a Vatican official reviewing Padre Pio's potential canonization. We watch local people venerate the humble Capuchin monk, we see petty jealousies within the Church almost bring him down, and we experience his decision to build a Home for the Relief of Suffering, a labor of love begun just after World War II. Emilia and her husband Dr. Sanguineti work tirelessly beside the humble but sensible Pio.
The daily events of the inhabitants of the "Palladini Palace" are intertwined with each other between love stories and deceptions, and the splendid Gulf of Naples as a background.
A seducer finds himself in crisis when his woman makes him believe he has a lover. The search for the suspect rival has the upper hand, with unexpected results.
Naples. Professor Renato Caccioppoli, professor of pure mathematics, is a tormented and disillusioned man living a difficult life. Back from the psychiatric hospital, abandoned by his wife, and having become a stranger to his own party colleagues of the PCI and its employees to the University, he lives his life with disenchanted posting.
Cesare Botero (Nanni Moretti), a young and corrupted minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli (Silvio Orlando).
This is an uneven presentation of the tragedies plaguing the lives of two women from the lower economic strata in Naples. Immacolata is married, is bisexual, and runs a butcher shop that is not bringing in much money. Concetta is a lesbian, doing manual labor and now serving time for taking a potshot at her lover’s husband. Immacolata has also been put in jail for guiding a young woman into prostitution. Immacolata and Concetta develop an intensely passionate relationship in prison and after being released, they defy Immacolata’s husband and society’s scorn by moving in together. But external threats are not as destructive, in the end, as internal contradictions.
