Luís Melo
A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.
In Tocantins, we meet Clara, an innocent young woman when it comes to love affairs, who lives next to her grandfather, Josafá, in Jalapão. She meets Gael, a good-humored, but explosively tempered man, heir to a wealthy family of Palmas. The attraction between the two is immediate and Clara soon gives in to this passion - she hardly knows that this love will take her from heaven to hell! For 10 years, Clara will be hospitalized in a psychiatric clinic. During the closing period, the young woman thinks about how she ended up there, strengthens herself and understands that she was the victim of a major blow.
Lívia and Felipe are in a forbidden love story doomed to end tragically. A century later, they both have a new chance to make their love real again. “Time After Time” is an innovative romance set in two different eras in which characters hold the opportunity to make up for their mistakes, come to terms with the past and write themselves another story.
Nando, a 12 year old boy, narrates the adventures of his father Antonio, during the 60s in Brazil, who leaves the inland of the state of Minas to go to Brasília, a recently inaugurated city, but still with construction works in progress.
Trail of Lies is a story of love and ambition centered on Paloma (Paolla Oliveira), who lives in conflict with her family. Secretly adopted, she learns the truth from her conniving brother Félix (Mateus Solano), who wishes to eliminate her at any cost in order to become sole heir to the fortune of their parents, doctors who own a hospital. The revelation comes during a trip to the astonishing historic cities of Peru, where Paloma falls in love with the adventurous Ninho (Juliano Cazarré).
An innovative telenovela set against the backdrop of the discovery of ancient fossils by a top paleontologist and the invention of futuristic robots by a brilliant scientist.
After 30 years in a cell for the mentally ill, Coffin Joe is finally freed. Back on the streets, the sadistic gravedigger is set on fulfilling that for which he was imprisoned: find the woman who can give him the perfect child. During his wanderings through the city of São Paulo he leaves behind a trail of horror as he faces unnatural laws and popular beliefs.
Cobras & Lagartos is a Brazilian telenovela that was produced and aired by TV Globo from April 24 and November 18, 2006, totaling 179 chapters. Featured Mariana Ximenes, Daniel de Oliveira, Lázaro Ramos, Henri Castelli, Taís Araújo and Carolina Dieckmann in the lead roles. The plot was nominated in 2007 for best actor Emmy for his performance of Lázaro Ramos.
Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.
América is a Brazilian telenovela that was originally broadcast in 2005 by Rede Globo. The telenovela focused on the life of an illegal immigrant to the United States and the lives of those she left behind in Brazil. It stars Deborah Secco and Murilo Benício. It was written by Glória Perez and directed by Jayme Monjardim and Marcos Schechtman. In 2009, Telemundo began airing a Spanish-dubbed version of this series and ran for approximately one year. The network aired the series from Monday to Friday in the daytime. Unlike most of its soap operas, the network didn't broadcast English subtitles as closed captions on CC3.
Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she was put to death in a concentration camp. After World War II began, Vargas decided to uphold the Allies.
A Casa das Sete Mulheres is a 2003 Brazilian miniseries. It was written by Maria Adelaide Amaral and Walther Negrão, with collaboration of Manfredi and Vincent Lucio Villari, based on the novel novel of the same name by Brazilian writer Letícia Wierzchowski, and directed by Teresa Lampreia, with the general direction of Jayme Monjardim and Marcos Schechtmann, and direction of core Jayme Monjardim. The miniseries had Eliane Giardini, Camila Morgado, Samara Felippo, Mariana Ximenes, Daniela Escobar, Nívea Maria and Bete Mendes as the Seven Women, and still Thiago Lacerda, Giovanna Antonelli and Werner Schünemann, as the great heroes of the Revolution Farrukhabad, living their characters true figures, which complemented the country's history, being the same, large national icons.
Diogo Álvares, a Portuguese map illustrator, reaches the Brazilian coast, after his caravel sinks. He is saved by the Indian chief Itaparica and his two daughters, Paraguaçu and Moema. They call him Caramuru and together they engage in a happy love triangle. But the chance to return to Portugal arises, and it is clear this amoral arrangement cannot last.
The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by Christ, the Devil and the Virgin Mary, before they are admitted to paradise. The edited theatrical version of O Auto da Compadecida.
O Cravo e a Rosa is a Brazilian telenovela produced and broadcast by Rede Globo. It ran from June 26, 2000 to March 10, 2001. It is based on the Shakespearean comedy The Taming of the Shrew. It is currently being broadcast in Portugal, on SIC.
The (mis)adventures of João Grilo and Chicó in Brazil's Northeastern region. The four-chapter miniseries original version of O Auto da Compadecida.
A famous actor believes he has totally mastered his craft. A young and talented actress is open to new challenges. They meet, and confront each other; on, and off the stage. From his personal and artistic lethargy, he sees the possibilities of a new beginning, new opportunities, after starting to see her. The story unravels, as the title states, "behind the curtain."
After stirring society by leaving her groom at the alter and going directly to a prostitution house, a young model becomes the city's most famous harlot, known as "Hilda the Hurricane", in the 50's Brazil. She could do fine if it wasn't for Malthus, a young novice said to be a saint, for whom she falls in love. However, the boy is kept under the strict, severe doctrine of Father Nelson, a conservative priest intolerant even to every minor sin. Things start getting harder when Roberto, Malthus' old friend and a communist reporter (the actual author of the story), tries to interview Hilda and disclosure the real reasons behind her radical change of mind. In the meantime, the middle-classes are terrified by the "leftist threat" in Brazilian politics.
A journalist is placed upon the management of a large broadcasting company to the capital of Brazil at the time of local elections. She must now face ideological and ethical questions, brought back by a left-wing former boyfriend and her own colleagues. At the same time, a free-lancer spy is sent by an obscure figure in politics to manipulate the elections and its media coverage.
After the death of his mother, a young Brazilian decides to leave his country and travel to her native land. In a foreign land, he finds love and danger.
Michael is a U.S. journalist who works for a Brazilian newspaper. One day he is put in charge of interviewing Father Louis Stephen, a famed catholic missionary who helps the needy in the jungles of Brazil. Yet he has one problem: the Father has rarely ever given an interview. However, Michael decides that he will be the first to have interviewed the Father personally, and goes on a journey to the center of Brazil, in search of the priest. Michael will soon know how hard it can be to get an interview, and that the Father's apparent media-shyness has deeper implications than he thought.
