Luk Bong
Yukari Oshima stars as a Japanese Interpol officer investigating the triads for drug smuggling and recruits some young girls coerced into prostitution by the gangs to gather incriminating evidence. However, when the girls are caught for selling out their bosses, Yukari Oshima hatches a plan to get them out which culminates in an exhilarating extended fight sequence.
The incomparable martial arts expert, Bruce Li, stars as a wealthy hero who defends his village from the assaults of ill-wishers.
After intimidating numerous towns and bullying the residents, Chan Wai Man goes on a fierce attack against the thugs responsible.
Follow the paths of a couple of money swindling playboys as they travel around Southeast Asia for some action.
In search for her perfect groom, Sit (Tang Bik-wan) goes to a bordello and falls in love with talented Lee (Mak Bing-wing). Burning with jealousy, the Imperial Tutor's son (Siu Chung-kwan) frames Lee for treason, yet accidentally gets killed by Sit when she rescues Lee. To avenge his son's death, the Imperial Tutor tricks the couple into joining force in overthrowing the emperor and plans to accuse them of treason. Sit, who turns out to be the emperor's long-lost daughter, follows Lee to the palace for investigation. In the film, Tang Bik-wan put on various guises in her character, e.g. dressing as an ugly and Zhongshan dialect-speaking woman when she weds, disguising as a man while investigating. She proved herself a well-rounded diva with her marvellous singing, switching between different dialects and operatic styles. The scenes with Mak Bing-wing also show great chemistry, as the duo evolve from quarrelsome lovers to husband and wife.
The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.
Middle Eastern folktale collection One Thousand and One Nights has been greatly treasured by Western storytellers who are fascinated by the fantastic world within. The exoticism conveyed in Western film adaptations greatly appealed to Cantonese opera and film writer Ma Si-tsang, who adapted The Thief of Bagdad (1924) into Cantonese opera The Prince of Thieves, set in an ancient empire influenced by both East and West. In 1958, director Luk Bong adapted the play into a film, turning the thief of the original film into a Robin Hood-esque hero who poses as a prince to compete for the princess' hand in marriage. Packed with a thrilling treasure hunt and a damsel-in-distress rescue as well as eye-catching special effects, Prince of Thieves is 100% a romantic swashbuckler.
