Luke Doolan
Troubled psychotherapist Peter Bowers is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.
8 year old Joe has a Birthday he will never forget. After friends bully him, he sneaks off to the sick bay, wishing everyone in the world would go away. He wakes up to find his dream may have become a reality.
Following the death of his mother, J finds himself living with his estranged family, under the watchful eye of his doting grandmother, Smurf, mother to the Cody boys. J quickly comes to believe that he is a player in this world. But, as he soon discovers, this world is far larger and more menacing than he could ever imagine. J finds himself at the center of a cold-blooded revenge plot that turns the family upside down.
Behind the scenes production footage and interview of cast and crew of 2008 film The Square, with particular emphasis on the style and difficulties arose during the shooting and the experience of cast and crew during the making of film.
Harry really wants a rabbit. Harry's Dad really wants his wife back. And somehow in the middle of all this wanting, they both seem to have forgotten that they already have each other.
Ray, a construction worker trapped in an unhappy marriage, pursues an affair with his neighbor, Carla. Carla's husband, Greg, is a mobster who keeps large sums of drug money in their home. With this in mind, Carla comes up with a plan: She and Ray will steal Greg's money, burn down her house, convince Greg the money was lost in the fire and then run away together. Carla's scheme, however, doesn't go off as planned.
In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.
With 4 weeks and a budget of $5,000 IF Media approached filmmaker Nash Edgerton and Blue-Tongue Films to produce video insert material for the 2005 Lexus Inside Film Awards. Edgerton agreed. But wanted the $5,000 in cash.
