Madeline Smith
A long thought lost radio interview with Peter Cushing is accompanied by comments from friends and colleagues.
The untold story of Hammer at Warner Bros, and the relationship that produced some of the British company's finest films.
A pilgrim attempts to gain entry to a castle by any means possible, to get to a beautiful maiden, but the lord of the castle will go to in order to stop him
This intriguing story is set in the 1930s at a country house, where two amateur sleuths, Bobby Jones and Lady Frankie Derwent, try to unravel the mystery behind a tale of murder, suspense and false identities. And the only clues the two have to go on are the puzzling last words of a dying man. Featuring characters created by Agatha Christie, Why Didn't They Ask Evans is a classic crime thriller sure to please murder-mystery fans.
Another stab at Henry Fielding's hilarious novel about the amorous misadventures of a dashing young man in 18th century England. The brilliant 1963 version, starring Albert Finney as the lusty hero, won four Oscars. Joan Collins does a great job as a Wicked Lady style highwaywoman.
Percy, the man with the world's first penis transplant, discovers that there is a chemical in the city's water that makes men impotent.
Dr Simon Helder, sentenced to an insane asylum for crimes against humanity, recognises its director as the brilliant Baron Frankenstein, the man whose work he had been trying to emulate before his imprisonment. Frankenstein utilises Helder's medical knowledge for a project he has been working on for some time. He is assembling a man from vital organs extracted from various inmates in the asylum. And the Baron will resort to murder to acquire the perfect specimens for his most ambitious project ever.
A Shakespearean actor takes poetic revenge on the critics who denied him recognition.
James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.
Tim (Cliff Richard) is a successful ambitious young financier working for a London Merchant bank, but even his happy-go-lucky attitude is severely jolted when he is sent to Birmingham instead of his promised New York for his posting! But comedy reigns when the enterprising bank manager helps an unsuccessful Birmingham restaurant compete with its rivals by introducing a new fast food - the Brumburger!
Mysterious old solicitor Mr. Blunden visits Mrs. Allen and her young children in their squalid, tiny Camden Town flat and makes her an offer she cannot refuse. The family become the housekeepers to a derelict country mansion in the charge of the solicitors. One day the children meet the spirits of two other children who died in the mansion nearly a hundred years prior. The children prepare a magic potion that allows them to travel backwards in time to the era of the ghost children. Will the children be able to help their new friends and what will happen to them if they do?
In Frankie Howerd's third Up... film it's World War I and he plays Lurk, an absolute cowerd, er coward. He's evading the call-up for all he's worth. But one evening he's hypnotised by a drunken hypnotist (Stanley Holloway) into being brave, but he fails to be released from it. So with his yellow streak gone Lurk is down that army office before you can say "titter ye not." Off to war he goes, mingling with sexy spies like Zsa Zsa Gabor and before long, the spellbound recruit is heading hot-foot back to Blighty with the Germans' plan of attack tattooed on his bum, and the Germans are bringing up the rear...! Full of sauce, knowing real-life references and witty remarks to camera, this is a cheeky incorrigible final instalment.
A funny thing happens to Lurcio (Frankie Howerd) on the way to the rent-a-vestal-virgin market stall. A mysterious scroll falls into his hands, listing the names of all the conspirators plotting to murder Emperor Nero. And when the upstart slave is elected to infiltrate the ringleader's den, the comical ups-and-downs lead to total uproar.
The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..
In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family's decimation and satisfy her desire for blood.
Based upon the Celtic legend Tam Lin, a young man is bewitched by a beautiful, heartless, aging sorceress to become her lover. When his attention wanders to a lovely girl, he is doomed to ritual sacrifice by the sorceress.
An American playwright living in Rome consults a quack psychiatrist to combat his fears of balding and save his failing marriage.
Three elderly distinguished gentlemen are searching for some excitement in their boring borgoueis lives and gets in contact with one of count Dracula's servants. In a nightly ceremony they restore the count back to life. The three men killed Dracula's servant and as a revenge, the count makes sure that the gentlemen are killed one by one by their own sons.
