Mado Maurin
Loudun, October 1947. Leon Besnard and Marie celebrate their eighteenth wedding anniversary with friends and Ady, a former German prisoner they have "adopted". A few days later, Leon dies. Louise, a friend of the couple's and probably Leon's mistress claims that, on his deathbed, the deceased told her that Marie was poisoning him. The whole town soon condemns Marie and she is arrested and sent to jail. Did she really kill Léon as well as twelve other members of her family as she finds herself charged with?
A young woman in a lesbian relationship keeps a diary that is stolen by a young man who loves her.
The American photography student Josh gets involved in a mysterious and deadly intrigue, when he takes pictures during an attempt on the top model Francesca's life.
A farce, Hoskins plays a photographer who specializes in religious pictures who searches for a model for Jesus. He does a favor for a friend and finds himself doing a voice track for a porno movie with Natasha Richardson. Hoskins finds his model for Jesus in Jeff Goldblum and a romantic triangle begins in which Goldblum finds adoring crowds believing him to be Jesus and then begins to believe it himself.
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
Father Ubu, grotesque king and symbol of the tyranny of power in Ubu king, decides to become a slave to acquire real power. This is the first sequel to "Ubu roi" (1965) directed by Averty.
Eric, a 14-year-old boy, is now almost alone. His mother, faced with her husband's bizarre behavior, left the marital home. Eric's father, for his part, leads a triple existence. On the other hand, he maintains apparently normal relations with his son, but at the same time he leads an unacknowledged, secret life "elsewhere", where confused, equivocal relations bind him to a strange, elusive woman, whose vision sometimes inspires feelings of filial love, sometimes reveals to him the bitter taste of a passion faded by time.
