Magdalena Boczarska
Olga and Maks are 15 years away. She is a successful woman with an established position, the mother of an adult daughter, he is a handsome young man who enjoys his life in a handful and lives only in the moment. It might seem that these two different worlds will never meet, and yet fate put them in the way.
The year 1901, a psychiatric hospital in the Russian partition. One of the patients is a political prisoner - Józef Pilsudski (Borys Szyc). The Polish underground independence movement is preparing their mission to rescue the famous activist. Pilsudski is freed, but he will not get back his idyll family life that he once knew. Uncertain years are coming, marked by revolutionary events, violence and betrayal. Pilsudski must find a way to man oeuvre on the boggy ground - between the conservative passivity of the Polish Socialist Party and the aggression against the invaders, resulting in retaliation. The year 1914 is coming, and the chance for restoring an independent country, independent Poland, is now or never.
Mysterious murders has been committed in four post-communist cities: Warsaw, Prague, Odesa, and Leipzig. The investigations are carried out by three absolutely different in many aspects criminal police officers. Independently of one another, they soon come to the conclusion that all four murders are connected. Now, to solve the crimes they have to work together.
During 1962's Cuban missile crisis, a troubled math genius finds himself drafted to play in a U.S.-Soviet chess match -- and a deadly game of espionage.
Michalina Wislocka, the most famous and recognized sexologist of communist Poland, fights for the right to publish her book, which will change the sex life of Polish people forever.
A wellness hotel in a small German castle specializes in well-off couples, offering a wide range of services, including one some partners feel trapped into : relational therapy. It's truth time, for some liberating, forcing others to face their secrets of dysfunctional relationship.
Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple's aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals...
In the spring of 1944 in Poland, near the end of WWII, Janina faces a huge change in her life when her father decides to offer a shelter to his Jewish friend’s daughter Ester. One day, her father is arrested and Janina starts to take care of Ester by herself and in doing so secret emotions rise between them.
Marek, a young writer, is trying to solve the mystery of the night his friend Arthur died. In the recesses of his memory, Marek finds fragments of past events: a party at the home of an eccentric publisher, his argument with Arthur, the exchange of blows, blood. Afraid that he has killed his friend, Marek suppresses his feelings of fear and guilt in his passionate meetings with a woman who has more to do with Arthur’s disappearance than it seems...
Comedy about female friendship, subjected to an extreme test. Two girlfriends - Eva and Maya - are introduced in an exclusive spa with a beautiful masseuse, Cornelia, which involves them in a whirlpool of crazy adventures.
Pressured by his superiors to disgrace public intellectual Warczewski, a professor and respected writer whom they believe to be a "camouflaged Zionist," rough security-services colonel Rozek enlists his sexy but naive girlfriend, Kamila, to insinuate herself into the distinguished older man's life and report on his every move. Not particularly interested in serving communism but eager to please her domineering lover, Kamila accepts the mission, reporting under the code name "Little Rose." As quick scenes contrast Kamila's crude pleasures with Rozek and her more refined experiences with Warczewski, it becomes clear that the more time the unschooled young woman spends with the professor, the more she comes to have true feelings for him.
When Kostek gets in the wrong taxicab and sees Luna, it is love at first sight. But Luna already has a girlfriend named Klara Rojek and is a lesbian so Kostek has more than a few things that are in his way of ever being with her. Kostek does whatever it takes to talk to Luna and tries to get her attention, including trying out for a porn movie Klara's feminist group is making. After some lengthily casting, Klara concludes that Kostek is the ideal guy for Luna to star in the film with.
Mother (Maria Seweryn) and daughter (Michalina Rodak) live alone in a small house on the outskirts of the village. Their close relations get distorted by appearing of a mysterious man. Are women able to defend themselves from mutual jealousy and distrust? The film is based on the story of Aleksandra Duda "Olive" and refers to Eighth Commandment "You shall not bear false witness against your neighbor." – as a part of film cycle produced within the project „Dekalog 89+”. Tomek Matuszczak is one of the ten young directors which has taken the challenge of making new film on the Decalogue Commandment's impact for young generations, due to the project made on 20th anniversary of launching the famous "Decalogue" by Krzysztof Kieślowski.
The wedding of Kornel, a young, well known TV scientist, to the famous singer, Alicja, is to be the social event of the year. In the suburban reception hall, the final preperations are being made. The waiter, Tytus, who is somewhat touchy having just found out he is to become a father, lays out the cutlery on the tables.
During a ride a woman picks up a hitchhiker. From the very beginning the man doesn't come across as trustworthy and the woman, anxious and feeling the growing threat, decides to pick up one more person. In the confined space of the car the three strangers begin a tense game. The characters hide some secrets that, revealed in small steps, will lead to tragic events.
