Maj-Doris Rimpi
The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.
Maj Doris follows the 74-year-old legendary Sámi woman Maj Doris Rimpi. Twenty years ago she had another kind of life. She traveled all around the world and she experienced a lot. Nowadays Maj Doris lives alone on a farm above the arctic circle in Sweden. She keeps reindeer but she’s also a sought-after artist, painter and actress.
Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.
Nadja, a single girl living the big city life finds herself stressed out over the wish of having a child of her own as she realizes the biological clock is ticking. She is prepared to do almost anything to fulfill her dreams but finds out that the abortion laws are about to change. To qualify as a mum, within the next 30 days she has to find herself a husband. She already discovered that chances finding a husband willing to do this on such short notice are slim to none in the big city. Maybe it is easier on the countryside?
Elle, 78, doesn't like Sámi people—even though she is Sámi. Pressured by her son, she returns north for her sister's funeral. When she realizes he's planned for them to stay with their relatives, Elle checks into a hotel.
Why are gooseberries so much more valuable than deer trees and why did the Sami men lay naked on the marsh in the past? How do you respond to a mock execution and what is actually panic attack? Ella and Moa are two girls with more questions than answers and during a summer night they approach a little cautiously of their Sami origin. —Jonas Selberg Augustsén
