Malena Alterio
Marina is a woman in her thirties who works organizing weddings. Not because she is an inveterate romantic just because, as she says, "when people are in love, they don't care about money". Unlike her customers, she enjoys a life without ties or commitments, until the moment when she falls in love with Carlos. The problem is not only he is about to get married, but also his fiancee is Marina's childhood friend and they have hired her as their Wedding Planner.
Madrid, Spain, March 2020. As the merciless disease that plagues the world spreads through the increasingly deserted streets of the city, people barricades themselves in their homes and move on with their lives…
Humberto, a seductive con artist, lives a quiet life in Madrid after having done his time for a big job that cost him his relationship with his son Jorge, who reaches out to him for help when the jewellery where he works is robbed.
Nadia and Adrián starts their particular world war when she files to divorce him.
Braulio after his misadventures in Berlin, moves to Hong Kong along with Rafa and Hakan in search of new opportunities. However, it is not easy to succeed in a land where language, culture and customs are very different from Europe.
Señoras del (h) AMPA is a Spanish television series, in which, Mayte, four women living in the Madrid district of Carabanchel who will be overwhelmed when they accidentally end the life of a repellent mother who is an expert in annoying their existence during meetings. of the (AMPA) of the school. Unable to confess the facts, they end up involuntarily generating a spiral of violence that will turn them into dangerous gangsters facing real criminals.
The library has been closed for half an hour and Rosario, the librarian, is setting the last few books on the shelfs and erasing the underlining that Armando, a waiter at the university’s café, has scribbled in several novels. That is, until she discovers that they are not simple underlines and that they haven’t in fact been written by Armando. When she looks up, she finds Armando standing in front of her.
Two young Spanish men, with a university education, are tired of unemployment and decide to move to Germany. But soon they will find out that finding a better living is not as easy as they expected.
Juana Doña, a communist woman; Carmen Polo, dictator Franco's wife; and Eva Duarte, President Perón's wife, the first lady of Argentina, the idolized Evita, crisscross their lives during Evita's official visit to Spain, an autarchic country isolated from the world, in June 1947. Behind the pomp of reception there is a pharaonic preparation, hidden businesses, battles in the Caudillo's court and the possibility of saving a human life.
Mirta is Cuban and lives in Madrid. As many others immigrants she works in cleaning industry. Today at six o'clock p.m. her daughter is going to marry. But nothing turns out as she hopes, and to reach this wedding is more difficult than it appeared at first sight.
Alex (Fernando Tejero) and Virginia (Malena Alterio) spend their savings and get a mortgage to buy the floor of their dreams, with a terrace of five square meters. One day, without warning, the building works are stopped, already well advanced, and then begins the worst nightmare of their lives.
The tale of a group of women (a sweet old lady, her religious niece, her servant and the latter's disabled mother), all so generous and selfless that they almost compete with one another as ferocious rivals to see who can help most and make the greatest sacrifice for the others' wellbeing. And we all know the well-known saying: 'The road to hell is paved with good intentions'.
A photographer and a journalist who despise each other must pretend that they are a couple when they are sent to cover the story of a guru, and encounter a number of off-the-wall situations en route through Galicia.
The role of Milagros (Esperanza Pedreño) is really very touching, creating a bond between the audience and the reality of the character and plot, on the other hand Rosario (Malena Alterio), his mother (Maria Alfonso Rosso), the first is all plot, also Morsa (Antonio De la Torre) is a ground for Rosario and makes the film a tragedy for life which ended in abiding by what comes. Each role has its own tragic history (the movie don't explore) but try to reflect the main characters from what happens with their surrounding environment To End, that is an existential search to find a place in a society that is not for everyone and understand that we are not alone in the world I like this movie, because is simple and leaves a good taste in the mouth.
Cundo emigrated to Argentina to seek a new life. Ten years later he returns home, to the funeral of an old friend, Suso. The film chronicles the reunion with family and friends and how Cundo wants to fulfill the ultimate dream of Suso. The film is a tribute to friendship. And above all friendship in a age where it is not so clear why you should remain friends with your childhood friends.
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
A biologist in an insemination clinic unexpectedly falls in love with a free-spirited trapeze artist and the idea of fathering her child. A hilarious romantic comedy about love at first sight, with complications to follow...and more laughs than you could possibly conceive!
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
Aquí no hay quien viva is a Spanish television comedy focusing on the inhabitants of the fictional building in Desengaño 21, Calle Desengaño being a street between the Districts of Gran Via and Chueca in Madrid. The episodes debuted on the Antena 3 network, and were later rerun by the same network as well as cable/satellite channels Neox and Paramount Comedy. Antena 3 Internacional satellite channel broadcasts the series to Latin America. The series debuted in 2003 and became popular thanks to its funny characters, witty script, and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. In 2006, Antena 3's rival Telecinco acquired a 15% share of Miramón Mendi, the company that produces the series. Miramón's contract with Antena 3 expired on June 2006 and was not renewed, bringing the series to an end, since the actors' contracts bind them to the production company and not to the network. Miramón Mendi then created a new series for Telecinco with most of the same actors and a similar setting, but with brand-new characters and storyline. La que se avecina débuted 22 April 2007.
Maribel (Natalia Dicenta) is a prostitute working in Madrid in the late fifties. One night he meets Marcelino (Carlos Hipolito), shy and quiet man who falls for her. For Maribel is in principle a client more, but gradually begins to feel attracted to the shy provincial, owner of a chocolate factory in Soria. Pili (Nathalie Seseña), Rufi (Mireia Ros) and Nini (Malena Alterio), the companions of Maribel, truculent by nature suspicious of this relationship and begin to suspect that the provincial could be a murderer. When Maribel Marcelino asks her to marry him, they intervene and away from Marcelino and his "strange family". Adapted from the play "Maribel and the Strange Family" by Miguel Mihura.
Spain, fifties. In a town grew around a living factory Jorge (Tristan Ulloa), the youngest son of the founder, and Elisa (Laia Marull), daughter of accounting. The two live with their families and are able to endure the monotony of their lives because they spend the afternoon on Wednesdays and Saturdays at a hotel in the city. This secret life together is essential for both. The small room in the city where encounters occur has become the only place where they can be themselves. That little space, a little sinister, find it more cozy, warm and near the home of Elisa gorgeous, spoiled by the mother, or the great house of George, full of family memories. Both are aware of the type of relationship they have created, and not demand more. Until Elisa decides to break the rules.
Ana is a woman of thirty-something, goes back to the house where she spent of her childhood during the Argentine dictatorship.
Lola's a single mom, broke, working as a janitor and maid. Silvia is pregnant, and her lover (her boss) won't leave his wife. Maite, newly a widow, discovers she's penniless but wants to maintain appearances and give her daughter a fancy wedding, and Pecholata, a punk kid living in a youth center, will soon be turned out on the streets. Lola, who cleans a bank every morning, decides to rob it, convincing the others to join her: they'll use replica guns, dress as men, take Silvia hostage, and all will be smooth. But things go awry, including the fact that Lola's ex, Gustavo, is a cop. Desperation may be the mother of invention - and a corrupt bank manager its father.
“Madrid Is It” focuses on Lucía, who leads a discrete life, has a peculiar sense of humor and sense of duty, and a dreamy personality. Her quiet life suddenly changes, however, when her boss embezzles funds at the company and everybody lose their jobs. She decides to reinvent her life, working as a taxi driver. When her life finally seems to regain a certain stability and ease, Lucía sees how everything takes another turn for the worst and the film, to this point a comedy, turns into a revenge thriller.
