Manal Issa
In 1983, French actress Maria Schneider gives an interview for the TV show Cinéma Cinémas. The conversation takes an unexpected turn when she challenges film industry practices and is asked to talk about the controversial film Last Tango in Paris (1972).
The story of teenage Olympian refugee, Yusra Mardini, who dragged a dinghy of refugees to safety across the Aegean Sea.
Paris, France, 1979. Rose, a rebellious orphaned teenager, and Michel, a young aspiring painter, enjoy their crazy love under the neon lights of the decadent nightclub Le Palace, where they establish an ambiguous relationship with Lucille and Hubert, two bohemian bourgeois who will change their lives.
Ulysses, a secluded artist who mysteriously retired a few years ago, meets Mona, a young art student full of life. The encounter will change them both.
Damascus, Spring 2011. It's the early stages of the civil war. 25-year-old Nahla is torn between her desire for freedom and the hope of leaving the country thanks to her arranged marriage with Samir, a Syrian expatriate in the USA. When he chooses her younger, more docile sister Myriam, Nahla finds refuge at her neighbor's, the mysterious Ms Jiji.
Beirut, on an autumn day. The city is on the edge of chaos, but for Maya, Tarek, Yasmina and Rami, aged between 17 and 22 years old, it is just an ordinary day during which they question themselves about sex, love and night time hanging out.
Paris, one morning. A group of young people from different backgrounds. They launch into a strange ballet in the metro tunnels and the city's streets. They seem to follow a plan. Their gestures are precise, almost dangerous. They converge towards the same point, a department store, at the moment it is about to shut. Night begins.
The new film from Lebanese director Danielle Arbid follows a young Arab immigrant in Paris, whose encounters with three men reveal different facets of her new country, and of herself.
The exits of a Berlin courtyard are blocked by the police due to an ambiguous event outside and a state of emergency occurs. Among the residents of the building, insecurities start to pump fear. Suspicion takes over panic, prejudices bring polarization and another question appears: Is the real danger coming from inside or outside?
