Mandakini Goswami
A mysterious young shaman, on the run protecting a secret gift, joins hands with a seasoned city cop to hunt down a dangerous figure from his dark past. But when he falls for the cop's young daughter, he is torn between duty and love.
A combination of three stories, each exploring a different stage in life - A CHILD involved in armed conflicts, a BOY in drug peddling and a MAN entangled in elephant poaching.
The women of a small Indian village band together when they discover a possible solution for a badly needed well, and the men of the village fail to do what needs to be done.
In feudal India, a warrior (Khan) who renounces his role as the longtime enforcer to a local lord becomes the prey in a murderous hunt through the Himalayan mountains.
Young filmmaker Pankaj Butalia directs this sweeping film about ill-fated love set against the epic canvas of India's partition into Hindu Indian and Muslim Pakistan. The film opens with Lajma, a beautiful school teacher with greying hair, leaving Pakistan for her childhood home in India. There she discovers that the home is in ruin, her aging aunt is half senile, and her cousin Gautam is bitter and defeated. Flashback to 1947 when India splits in two -- the police force a proud old Muslim man, along with his grieving daughter-in-law, to take in a couple of impoverished Hindus, Chand and Bhagwati, into their large home. Later, Chand's mute sister Lajjo arrives with her young daughter Lajma in tow. Suffering from some unnamed past trauma, Lajjo is eventually shipped off to an asylum, leaving Lajma with her uncle. Later still, Lajma, Chand's son Gautam and their neighbor's son Jamal all live and play with each other in Chand's vast complex.
Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phooland Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.
