Marcel Anghelescu
During the 18th century when Moldavian Prince Dimitrie Cantemir writes The History of the Rise and Fall of the Ottoman Empire the manuscript is stolen and offered to the highest bidder.
Historical movie based on the "fratii Jderi" book. The movie is in the top 20 most watched Romanian movies.
A director of a shipyard abusively fires a foreman who has opposing ideas.
A counterespionage office get a mission to go to the Black Sea shore and catch a spy network that got their hands on a secret fuel formula.
Two cooperativists exploit a pond for fish and frogs outside their institutions circuit. Until a youth with socialist expanding ideals comes with the initiative to drain it and use the land for grains. They hatch a plan to make the pond a natural monument, so an expert is summoned, but foolish beliefs betray them.
This movie follows the story of a young man - Mihai Brad, who works for a industrial plant. He reaches a turning point in his life when his bosses discuss his admittance in the Young Worker Union, a communist organization, which can help propel his career forward. Mihai calls to remembrance his early days of his job after leaving his village with dreams of having his own house and a decent life. He first starts low as a unqualified worker and each month he saves all his money. The UTM organization tries to convince him to improve his skills become a qualified worker but he refuses saying that he soon wants to go back to his village and be a shepherd.
An aspiring astronaut prepares his ship for take-off, plugs in a razor and causes a blackout. In the deep darkness the boy imagines himself meeting the literary characters who have enthralled readers past with their stories of space travel.
A young engineer arrives for a short time in Bucharest, where he reconnects with the girl that he loves since college. They get married, and she sacrifices her career to follow him to a big project away.
"Post Restant" is about two engineers: Puiu (Iurie Darie), a quite shy character, and Dan (Ion Dichiseanu) an alpha male type. They receive a letter from Liliana, a letter which is actually meant for the former apartment owner. Puiu replies to the letter, although he does not know the sender. The mail exchange goes on and the two fall eventually in love. Being less self-confident, when the time comes to see Liliana in the flesh Puiu asks Dan to meet her and pretend to be the one who wrote the letters.
In this undistinguished drama, Darclee (Silvia Popovici) is a lead singer for an opera company in Romania with a heavy load of responsibility. It seems the company is in dire need of a decent physical structure for their performances and a brace -- or more -- of good singers to improve their image and sales. In other words, they need just about everything except an excellent lead singer; Darclee fills that bill. And so the company rather unfairly leans on her to get the people and the funds they so desperately want. Matei Jacob directs.
Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.
1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.
Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.
Adam, a young and poor fisherman, falls in love with Uliana, but the girl's parents want her to marry Simion. To get rid of him, Simion blames Adam of the drowning of his fellow fishermen he was with out in a storm.
A fashion designer creates an ugly model and he won't back down against all advice.
The plot take place in 1883 in a small provincial town in Romania, where the corrupt establishment decide everything, including - of course - who will be the "elected" representative to the national Senate. A love letter from the bachelor mayor to the wife of the local party chief, gets lost and found by a drunk party supporter. The letter finds its way to the opposition party, which decide to use the letter by blackmailing the powerful local "camarilla", and to get his own man to represent the county. What follows is not easy to guess....
Famous Romania communist propaganda movie, one of the templates to what followed. It is about the volunteers that built the Bumbești-Livezeni railroad.
