Marcello Mastroianni
A captivating portrait of French actor Michel Piccoli, who has worked with the greatest filmmakers of his time and has built a dazzling career of remarkable merit and success, focusing on his work during the 1970s and his professional relationship with Claude Sautet, Romy Schneider, Marco Ferreri and Luis Buñuel.
Girlfriend in a Coma is a documentary that exposes the dire situation of Italian politics and the process of economic and social decline the country has suffered during the last two decades, treating the decline as a warning of what might happen elsewhere in the West. The decline has occurred amid a collapse of moral values and the victory of “Mala Italia” over “Buona Italia”. It has been lauded as being ground-breaking in its creative combination of animation, interviews and hard facts, and has caused fierce controversy in Italy.
As digital multiples and shuffles of Anita Ekberg and Marcello Mastroianni wade through the Trevi Fountain from LA DOLCE VITA, THE SWEET ALGORITHM continues Gregg Biermann's series of films dissecting and repurposing classic film scenes into pulsating, almost hypnotic collage works.
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.
Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...
An old professor (Marcello Mastroianni), having discovered that his son will send him to a nursing home, converses with the memory of his late wife. She encourages him to tell his son that he is sad and fearful, and does not want to move. Recording of Marcello Mastroianni’s last stage project.
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.
Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.
Four intertwining stories of bizarre occurrences in Paris featuring a man who was stolen away by fairies, a professor who becomes a tramp, the lovers who inherit a chateau – and the last tale that connects all that has gone before.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Portugal 1938. Pereira is the editor of the culture section of the "Lisboa," an unaffiliated evening paper. There is a civil war in Spain and the fascists are in power in Portugal, but he concerns himself only with his work – writing biographies of famous writers and translating French novels – and ignores what is going on around him. He hires Monteiro Rossi, an idealistic young man in love with a beautiful communist, as an assistant. He reluctantly helps them when they begin to get into trouble due to subversive activities. Eventually, events force him to take a stand.
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see".
Paris Fashion Week draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Follows the various storylines of these characters, centering around a murder investigation of a prominent fashion figure. Features an all-star cast.
The church of Santa Liberata in Turin is lit only by candles and a distorted night and lasting move its inhabitants: the parish priest Don Alfonso Pezza, the 'Engineer FIAT Neighbors, Miss Caldani English teacher, with the sexton Priotti two brothers Bortolon. On a cold Friday in February with the packed church, the Pezza is killed by a bomb in the final moment of his preaching and the case, which is called to investigate the Commissioner Santamaria, it soon proves incredibly complex.
In Turin, a priest is killed by the explosion of a candle and Commissioner Santamaria has to unravel the problem.
Leonor, a widow in a small South American town, gives birth to Charlotte, a dwarf. The mother not only provides a rich childhood for her daughter, she erases any clues her daughter might see that would lead her to think she is different (mother burns books such as "Snow White" and destroys lawn statues of gnomes). In short, she doesn't want to talk about it. The mother succeeds in creating a modern-day Rapunzel: Charlotte becomes an accomplished young woman who captures the heart of Ludovico. But then, the circus comes to town.
A provocative, seemingly absurd patchwork movie which sends a worthwhile message about hope against all odds, love, children and human understanding. Schoolgirl Victorine has an insane mother and an alcoholic father who can never find his way home in their maze of slum apartment blocks. Aggressive, sexually threatening boys of all ages are everywhere, and while the teacher eventually relents to a gang of adolescent rapists, Victorine gives herself to a rowdy gang of older layabouts, eventually winning the heart of burglar Paul.
At her husband's funeral, Pearl (Shirley MacLaine), Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend (Marcello Mastroianni) of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl...
Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.
Alexandre, a TV reporter, is working for a few days in a border town, where a lot of refugees from Albania, Turkey and Kurdistan are packed in. Among them, he notices an old man and thinks he is an important Greek politician who disappeared mysteriously a few years ago. Back in Athens, he asks this politician's former wife to come and identify him. A slow and dry meditation about inhumanity of borders.
In an otherwise bland comedy about unfaithful spouses. Individually and together, Mastroianni and Andrews (an unlikely team) are magic. He plays a slightly clownish Italian and she, an uptight Brit. They come together when their spouses run off together. The ending helps redeem this slight film, watchable only because of the great stars.
Matteo Scuro is a retired Sicilian bureaucrat, a widower with five children, all of whom live on the mainland and hold responsible jobs. He decides to surprise each with a visit and finds none as he imagined.
Professor Ludovico Bruschi is an elderly Communist whose desire is that of living in an orderly and socially just State. But disorder is just about to break into his life, first of all in the shape of his granddaughter Papere and then in that of Papere's mother Stella, his son's companion. The relationship between Oliviero, Bruschi's son, and Stella has come to an end perhaps because of the extreme youth of the two lovers. Now Professor Bruschi is obliged to come to terms with the gloomy, ignorant, offended Stella whose head is full of false and destructive ideals and who disturbs his way of living out daily life. The professor loses his patience and Stella leaves. He looks for her and finds her in hospital with a broken leg. The two of them begin to grow close and then, without realizing it, they come to love each other immensely. Stella's leg gets better and she goes off to look for new relationships...
A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
Story of the owners (Mastroianni and Schygulla) of a fancy nightclub in Budapest before and during WWII.
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the clownish and superfluous Romano Patroni leaves his wife's opulent home to visit a spa where he falls in love with a Russian woman whose marriage is a horror. He pursues her into the Russian heartland and returns to Italy resolved to leave his wife and marry his love. His amazed and appreciative Russian listener then narrates a shorter story.
A bee keeper, Spiros, travels from the north to the south of Greece with his bees to meet the spring.
Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.
A documentary about the Italian cinema as art form and industry.
Fresh out prison, Tiberio reconnects with his old partners in crime, Michele Ferribote and Peppe the Panther, only to realise that a lot has changed--including crime--after twenty years. Can he cope with this new reality?
The Two Lives of Mattia Pascal is based on Le Deux Vite di Mattia Pascal, one of Luigi Pirandello's many stories concerning the transitory nature of the intangibles "Truth" and "Identity" Marcello Mastrioanni is a downtrodden average man, treated like trash by his fiancee, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Mastrioanni heads to Monte Carlo, where he accrues a fortune. He also assumes the identity of a less fortunate gambler who has committed suicide. The "new" Mastrioanni is treated with a dignity and respect that overwhelms him--and nearly kills him.
During a costume party a wealthy young man falls off his horse and lands on his head, after which he believes that he is who he's dressed up as: 11th century Holy Roman Emperor Henry IV. Twenty years later those who once called themselves his friends, with doctor in tow, return to his castle - where the servants continue the medieval costume charade and refer to the main character as "Your Highness" - in order to try to try to cure him of his insanity.
In the early 1960s, nearly 20 years since the Second World War ended, an Italian general, accompanied by a priest who is also an Italian army colonel, is sent to Albania to locate and collect the bones of his countrymen who had died during the war and return them for burial in Italy. As they go deeper into the Albanian countryside they find they are being followed by another general who is looking for the bodies of German soldiers killed in World War II.
This sometimes confusing erotic drama about the incestuous relationship of a mother and daughter is based on the autobiography of Italian theater actress Piera Degli Esposti though it focuses more on her mother Eugenia.
In June of 1791, a group of passengers in a stagecoach find themselves caught up in the events of the French Revolution, when they find themselves in the city of Varennes when revolutionists arrest the fleeing King Louis.
Tom Berenger stars in this Italian film featuring legendary Italian star Marcello Mastroianni. Berenger is Matthew, an American engineer who falls in love with Nina (Eleanora Giorgi), a woman who holds many disturbing secrets.
This 1980 on-set documentary features an extensive look behind the scenes of the film.
Over two decades after their affair ended, a married man is haunted by the presence of his former lover.
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.
Drama about the difficulties of a group of people trying to change their lives. A group of people gathers in a terrace in Rome . Some are friends, some know each other and others just meet for the first time. All are intellectual and belong to the middle class.
A businessman finds himself trapped at a hotel and threatened by women en masse.
Naples: Raffaele, a cafe musician, is cajoled into performing a night-time serenade outside an apartment block. However, his mandolin playing is rudely interrupted by gunshots and a falling Jamaican man, who plummets from a window above. A camp character is also ejected from a window and Raffaele is compelled to conduct his own investigation. It transpires that a celebrated maestro, Victor Navarro is being blackmailed. Lucia, Navarro's attractive daughter-in-law, was present at each murder. The amateur detective is drawn to her and becomes embroiled in a mystery involving death threats and a macabre secret...
A large international cast takes part in this comedy in which the stories of numerous individuals whose cars are stalled in a massive Roman traffic jam are told.
The story is set in Illyria, fictional central European country, towards the end of World War II. The country, an ally of the Germans occupying it, is at war against the Soviet Union.
A May-December romance. Roué Giulio Marengo, a Roman landscape architect unhappy in his marriage, meets Francesca, a young and beautiful Florentine, and then learns she might be his daughter. He resolves to keep his hands off but can't seem to stay away, and she's eager for a lover who's a father figure.
Titina Paterno, a widow in a small coastal town in Sicily, goes insane after the death of her husband. She cannot stop telling whoever wants to hear her that Vito Acicatena, the fascist bigwig of the region was the one responsible of the crime. Justice, alas, will not do anything to punish this criminal, but Titina, in her own way, will be Vito's worst nightmare.
In metahistorical New York city electrotechnician Lafayette deals with a megalomaniac director of a wax museum of ancient Rome, an italian lonely anarchist, a group of feminist actresses - including Angelica who falls in love with him - and a small adopted chimpanzee.
Challenge of the Super Friends is an American animated television series about a team of superheroes which ran from September 9, 1978, to December 23, 1978, on ABC. The complete series was produced by Hanna-Barbera Productions for Warner Bros. Television and is based on the Justice League and associated comic book characters published by DC Comics and created by Julius Schwartz, Gardner Fox and Mike Sekowsky. It was the third series of Super Friends cartoons, following the original Super Friends in 1973 and The All-New Super Friends Hour in 1977. It continues to air on Boomerang in the United States.
Since her husband pronounced her frigid on her wedding night, Antonia DeAngelis has been an invalid. When he disappears, she believes him dead: she leaves her bed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. She improves their lot, begins an affair with a young foreign doctor, and publishes her husband's writings. All this time, he's hiding from a murder charge in a house across the square. Amazed, he watches her become his sexual and social equal. After the police drop the murder charge, will he disappear, end his life, or rejoin her on new terms?
The film is set during the late 1930s: the occasion is the first meeting between Mussolini and Hitler. Left alone in her tenement home when her fascist husband runs off to attend the historic event, Antonietta strikes up a friendship with her homosexual neighbor Gabriele. As the day segues into night, Antonietta and Gabriele develop a very special relationship that will radically alter both of their outlooks on life.
Police Inspector Bruno Baldassarre hears someone screaming from an old palace and finds two dead bodies on the stairs: the owner, Prince Prospero Dell'Orso, and electrician Romolo Colasanti; both were electrocuted. What is apparently an accident soon turns out to be murder. Bruno interrogates the suspects: Anna Dell'Orso, actress and recipient of a large life insurance, and screenplay writer Henry Hermann. Meanwhile, Baldassarre gets to know lovely young Teresa, Colasanti's niece. After more deaths and attempted murders, Bruno realizes that Teresa is Dell'Orso's natural daughter and only heir of his immense riches: she is the murderer's next intended victim...
The family of a wealthy nobleman tries to take away his land away after learning that he is having an affair with an imaginary woman.
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a black dignitary of an embassy by a CIA agent and then into his own killing by another colleague. In a television film, the police are befooled by a fake bomb and put a real one in order not to be derided by the public. In a film inquisition show, the bishop of Naples speaks highly of the importance of the family, but a child who lives a miserable family life kills himself. In the debate that follows it is proposed that they should eat the children, as Swift had said. In the next episode, a general who is in the toilet is called for the NATO parade, but the flasher breaks and in his effort to fix it, he dirts allover and kills himself. In a children's show an inspector finds excuses and delays the arrest of a powerful man...
Set during a retreat of Christian Democrat politicians who practice spiritual exercises together, it is an allegory of corrupted power. Disturbing, claustrophobic settings are the background to a series of mysterious crimes.
A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him
In the decadent Roaring Twenties, a beautiful woman engages in affairs with two men, playing them against each other.
Police commissioner Santamaria is investigating the murdering of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, a homosexual platonic friend of Anna Carla. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murdering happens...
During his preparation for his film on Casanova Fellini asks a number of renowned actors to give him their view on the character of Casanova.
A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.
Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of these three idealists and how they deal with the inevitable disillusionments of life.
Suave Fulvio (Marcello Mastroianni) woos women as he and the Sublime Brothers, 20 of them, attempt revolution in 1816 Italy.
A group of men hire some prostitutes and go to a villa in the countryside. There, they engage in group sex and resolve to eat themselves to death.
In the Nazi occupied city of Rome, an assault on an SS brigade draws retaliation from the military governship. "Massacre in Rome" is the true story of how this partisan attack led to the mass execution of Italian nationals under the orders of SS-Lieutenant Colonel Kappler.
Marcello Mastrioanni stars as an aging actor whose career has dwindled to TV commercials. Seeking an anchor in his life, Mastrioanni attempts a reconciliation with his ex-wife. But in this, as in his professional life, Mastrioanni is doomed to disillusionment and failure.
A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They all wind up at the beat-up shack of a cranky old codger, with the police surrounding them and the robbers threatening to kill everybody.
Marco Mazzetti, a driving instructor, lives with his wife Irène and their young child. After a series of dizzy spells, he goes to the doctor and discovers that he is four-month pregnant. Marco then becomes internationally famous...
Liza meets the artist Giorgio and falls in love with him. She dreams of becoming the wife of Giorgio, but he is married. She dreams of being a close friend to him, but he has a favorite dog. Liza is ready for any sacrifice for the sake of her love. She kills Giorgio's dog and takes her place. Now she is a woman who always and everywhere follows her master.
Rome, 1870. Opponents of the church power are being sent to prison. Some of the exhausted prisoners are asking for the mercy of Pope. Others, like Augusto Parenti, prefer to fight for their rights until the end. His wife, Teresa is a simple woman, who gets involved with the rebels...
Years after the Second Punic War, Scipio Africanus finds himself generally unliked, despite his defeat of Hannibal Barca. He and his brother, Scipio Asiaticus, are accused by Marcus Porcius Cato of the theft of 500 talents intended for Rome.
Catherine and Marcello are secluded in their house, living under the candlelight. Unable to accept the injustice behind the loss of their nine-month-old baby, they face a slow but definite self-destruction.
What's a Simple Man Like Rocco Doing in a Complex City Like Chicago?
Prince Leo, last in the line of rulers of a long-deposed monarchy on continental Europe and jaded with the frenetic search for kicks with the European jet-set, returns to his father's London town house for rest.
Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist rallies, and enjoy the filthy beach of Ostia. Will the hostile environment leave a way to jealousy?
Forty-year-old Sandro (Marcello Mastroianni) is married to Claude (Virna Lisi). Sandro has one strange obsession: he is a self confessed voyeur. He films his wife in all walks of life on his wobbly hand held camcorder. But everything changes when Mark (Timothy Dalton) enters their life. Written by Steven Dixon
After discovering her boyfriend for the past four years is married, a distraught and depressed young woman turns to a Catholic priest for counseling -- and finds mutual attraction. Now the inseparable couple are thwarted by his holy vow of celibacy, and must rely on the Vatican for a solution to their dilemma.
At the end of World War II, Giovanna, a war bride living near Milan refuses to accept that her husband, Antonio, missing on the Russian front, is dead. There's a flashback to their brief courtship near her hometown of Naples, his 12-day leave to marry her, ruses to keep from deployment, and the ultimate farewell. Some years after the war, still with no word from Antonio, Giovanna goes to Russia to find him, starting in the town near the winter battle when he disappeared. Armed with his photograph, what will she find?
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.
Globe-trotting clothes-horse Julia, who's harboring a secret, embarks on a 10-day fling with Valerio in Italy.
Mario is a Milan industrialist who is constantly testing balloons to see how much air one can take before busting.
Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work.
The Stranger is a literal (but still very cinematic) adaptation of the novel by Albert Camus. Marcello Mastrioanni stars as Meursault, a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder. The subsequent trial of Meursault manages to convey the oppressive heat of its Algerian setting with director Luchino Visconti's usual veneer of elegant decadence. Though set in the 1930s, the sensibilities of the film were very much attuned to the 1960s: the problem was that Camus' sentiments had been adopted by so many other filmmakers of the period that The Stranger seemed rather commonplace. The film was originally released in Italy as Lo Staniero.
Sophia puts the spotlight on her life with music. At her Rome villa, Peter Sellers is WWII Axis officer and Jonathan Winters a 16th century sculptor. Sophia sings "Out of Town" to children and animals. Tony voices "Summertime in Rome."
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.
Stuck in a dream world of his own, Italian sculptor Albert Saporito, sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation.
In an attempt to stem the heroin trade from Iran, a group of narcotics agents working for the UN inject a radioactive compound into a seized shipment of opium, in the hopes that it will lead them to the main heroin distributor in Europe. Along the way, they encounter a mysterious woman doing her own investigating of the smuggling operation.
In the near future, big wars are avoided by giving individuals with violent tendencies a chance to kill in the Big Hunt. The Hunt is the most popular form of entertainment in the world and also attracts participants who are looking for fame and fortune. It includes ten rounds for each competitor, five as the hunter and five as the victim.
The amorous adventures of Andrea Rossi-Colombotti, an army officer who finds pleasure with beautiful women in life-threatening situations.
In Naples, in the Second World War, the wolf businessman Domenico Soriano meets the seventeen years old whore Filumena Marturano in a brothel during an allied bombing. Two years later, in the post-war, they meet each other by chance and begin a long affair. For twenty-two years, Filumena is his mistress and administrates his shops in Naples while Domenico is traveling. When Domenico decides to marry the young cashier of his bakery, Filumena lures him as if she were near to death and he marries her. Later he annuls their matrimony, and she tells him that she has three sons that she raised secretly, one of them is his legitimate son but she does not disclose his identity. The middle-age Domenico uses the most different subterfuges trying to find which teenager might be his son.
Sophia Loren, who was born in Rome and lived there as a child, returns to the city that will forever be in her blood and gives her impressions of and reactions to the mosaic of Rome and the people she encounters there during her visit. She meets Marcello Mastroianni and Vittorio de Sica as she visits the sights, affectionately commenting on the grandeur of the Eternal City and the irrepressible nature of its people.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Three tales of very different women using their sexuality as a means to getting what they want.
Professor Sinigaglia (Marcello Mastroianni) is the title character in this darkly comedic Italian drama about mistreated factory workers in the city of Turin. Toiling away in appalling conditions in a textile mill, these employees have no one to stand up for them until Sinigaglia puts his academic career on the line by helping them to start a strike. Although the teacher comes under scrutiny by unsympathetic authorities, he maintains his dedication to the workers' cause.
When Jill becomes a movie star, she soon discovers that her private life is destroyed by persistent fans that won't leave her alone. Her mother's ex-lover, Fabio, tries to protect her.
Enrico is a struggling journalist in the Rome of 1945. He receives a phone call informing him that his younger brother Lorenzo has died. Enrico recalls their long and difficult relationship; he was brought up by their poor but warm-hearted grandmother, Lorenzo was raised as a gentleman by a wealthy local aristocrat. Reunited in the Florence of the 1930s, Enrico becomes his spoilt brother's keeper, forever haunted by a sense of guilty responsibility towards a man he both hates and loves.
A socialite is murdered and her playboy lover is brought in for questioning. During his stay in custody we get to see the real sneaky playboy in action via flashback. Is he guilty or just a sleaze.
An old prince (Eduardo De Filippo) lives in his ancient palace in Rome together with the ghosts of his ancestors; he proudly rejects a huge offer for the palace by a real estate group seeking a place to build a department store; but the prince suddenly dies (and joins the ghosts!) and his nephew (Marcello Mastroianni), just back from the States, sells the palace for a much lesser price. The old palace seems lost but here come the ghosts which manage to create a Caravaggio-like painting in the palace, which is so declared national monument and saved from destruction. A little satirical masterpiece about real estate speculation in 1950s Italy. And a great cast with the best Italian actors of the time: Eduardo, Buazzelli, Gassman and Mastroianni playing three characters.
Ferdinando Cefalù is desperate to marry his cousin, Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.
After their brothel closes, four sex workers open a restaurant in the countryside.
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.
Giovanni (Marcello Mastroianni) is a young widower with a son who is attracted to the charming teen Allegra (Jacqueline Sassard).
Marco and Luciana are married and in love, but the passion of Marco for football distract him, and make him impossible to keep a job for a long time: that's why the young couple keeps arguing.
The story of "King Lazzarone" Ferdinand I of Bourbon whose pastime was to neglect the government and disguise himself as a poor man and turn to the infamous city premises in search of love adventures. With the De Filippo brothers to complete.
It is Summer. It is the right time for love, especially in a most romantic place as Golfo del Tigullio. Different stories: Dorina looking for a rich lover; Clara who takes a fancy to the young Walter while her daughter Lina tries to save her; Aristarco who gave up his career to follow Ada's, but who likes Jacqueline; Renata who is offered by her husband to Ferrari to get money; Marcello who, extraditing Micheline to France, misses the train and falls in love with her.
During a fair, a charlatan is able to sell to a group of retired persons a piece of sky that would give them a quiet place to live well after death. The old men buy the story and decide to commit suicide to get to the corner of heaven that belongs to them.
Best friends Peppe and Mario are thieves, but they're not very good at it. Still, Peppe thinks that he's finally devised a master heist that will make them rich. With the help of some fellow criminals, he plans to dig a tunnel from a rented apartment to the pawnshop next door, where they can rob the safe. But his plan is far from foolproof, and the fact that no one in the group has any experience digging tunnels proves to be the least of their problems.
Love story between a fisherman of the Adriatic coast and a young girl of the village.
A lonely city transplant, and a sheltered girl haunted by a lover’s promise, meet by chance on a canal bridge and begin a tentative romance that quickly entangles them in a web of longing and self-delusion.
A Pianetta lacks the medical officer, and this until the arrival of Dr. Marchetti. In the country, however, the doctor is already installed Don Antonio, the local healer that with a little 'of psychology, magic potions and tricks is held in high regard, especially by Mafalda that awaits her fiancé Corrado who does not write more since 1942. Even Easter, the doctor's assistant, uses a magic potion when he falls for him. Among Don Antonio and Dr. Marchetti broke a kind of war at a distance in which all are involved, including Clamide, nephew of Don Antonio, flirting with Galeazzo.
A photographer named Corrado snaps a picture of Antonietta. When it shows up on the front page of a magazine, she wants to take him to court over it.
A traveling salesman is sent to prison after being accused of bigamy, while his wife and son are forced to consider leaving him permanently.
A lecherous governor of Naples in 1680 lusts after the wives of several peasants, particularly after the miller's wife Carmela. The miller himself plans to avenge his honor by seducing the wife of the governor.
A team of doctors sets out through a steamy African jungle to check an outbreak of sleeping sickness.
When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have far reaching consequences.
In 1925 the young florentine typographer Mario moves to via del Corno to be near his girl-friend Bianca. Here he becomes friends with Maciste, his landlord, and Ugo, anti-fascists both of them. When Campolmi is beaten by the fascists, Mario meets Milena, Campolmi's wife, at the hospital and falls in love with her leaving Bianca. Then Maciste is killed, again by the fascists, Ugo is wounded and he seeks shelter in ^ÓSignora^Ô's house. Here he falls in love with Gesuina and the two marry. Campolmi dies, but Mario and Milena part themselves. Later Mario too is arrested by the police.
Five part vignette film; episodes include "The Baby" "The Hand of Providence" and "On Location"
A 1954 Italian comedy film directed by Giuseppe De Santis, winner of the Golden Shell at the San Sebastian Film Festival.
A former prostitute and a Polish infant are the only survivors of a train crash. Despite their mutual love, the woman's past comes back to haunt her.
Joys and disappointments of three young girls who dreaming of making a career in film: Luisa has talent and triumphs; Franca tries to seduce a producer, however no artistic skills, Giuditta, the most inexperienced and naive, will have to choose between the dream of cinema and the reality of a marriage.
In the last days of the world war II a young Alpine soldier trys to find his way back home after the army was disbanded. In his village the soldiers, with the townspeople, become engaged in an effort to prevent the Germans from blowing up a dam.
Gino Bardi is a centre-forward in a football team which is about to be relegated to the second division. Just before a very important match a girl he has a relationship with proposes him to rig it. He refuses the offer but he actually begins playing like an amateur and the crowd begin to smell something fishy going on.
Three gorgeous seamstresses meet on the historic steps of the Piazza de Spagna in Rome to discuss one another's love lives.
Refugee Franca Gabre comes to the Po Valley with intent to use her obvious attributes and man-swaying talents to gain some security. She targets farm-owning brothers Riccardo and Carlo Sartori and uses the latter in an attempt to reach Riccardo, the older brother.
A gentle cultural clash between a band of Italian sports fans and the citizenry of Paris. DeAngelis has heard so much about “naughty Paree” that he’s determined to experience that naughtiness first hand. Ultimately, he realises that reports of French libertinism have been grossly exaggerated, but he has a high old time finding this out.
An Englishman has been working in the US so long he now speaks with an American accent. He is drafted into the British Army during WWII but is injured and loses his memory. Because he talks like an American, the doctors repatriate him to the States where he is housed with a New York family. After the war they all travel throughout Europe, searching for the women he still remembers in the hope of restoring his lost memory
A luckless young teacher it's suspected of committing two murders. When his lover begins to have doubt about his innocence, he seems to be doomed.
The plot weaves several episodes with several groups of people, Roman families, youth gangs and young love couples, who spend a Sunday at the beach of Ostia.
A young bourgeois who launders money for the mafia gets accused of murder.
Valjean's new life as a man of position and respect is forever threatened by dogged detective Javert.
