Marcus DeLeon
Walkout is the true story of a young Mexican American high school teacher, Sal Castro. He mentors a group of students in East Los Angeles, when the students decide to stage a peaceful walkout to protest the injustices of the public school system. Set against the background of the civil rights movement of 1968, it is a story of courage and the fight for justice and empowerment.
Benny, a hapless grifter, is thrown off a train after cheating at cards, and into the life of Tanya, a lovely bartender. Tanya has been supporting her husband, a former ballplayer, since his accident, waiting for an insurance settlement that will solve all their financial woes. But when it comes, he refuses to share it with her, claiming with newfound piety that money is the root of all evil. She then enlists the help of Benny to concoct a scheme to get her fair share of the settlement, and he finds one: a local Catholic mission needs money for repairs and Benny decides to create a miracle that will encourage husband Henry to fork over the money - which Benny and Tanya will intercept and share.
An ex-convict (Robert Beltran) and his lover (Julie Carmen) plot to kill her husband (Guy Boyd), owner of a nightclub in east Los Angeles.
Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.
