Margaret Rawlings
Henry Jekyll is a troubled man. His wife died of pneumonia. He wants his sister-in-law, but her father forbids any contact. And his experiments into the dual nature of man have yielded a personality-splitting drug that he has tested on himself, changing him into an uninhibited brute who seeks violent and undignified pleasures. Jekyll quickly becomes addicted to the sordid freedom induced by the drug. He can commit the most enjoyably revolting deeds, then return to his laboratory and use an antidote to change back to his original form, so that his lofty persona remains untarnished.
A strait-laced British banker hires an eccentric private detective to follow his free-spirited American wife, whom he suspects is cheating on him.
A series of murders occur that mirror those committed by the Whitechapel Ripper. Through his experiments with psychoanalysis Dr Pritchard discovers a deadly violence in one of his young female patients. As he delves into the recesses of her mind he uncovers that Anna is possessed by her dead father's spirit, willing her to commit acts of gruesome savagery over which she has no control. But the most chilling revelation of all is the identity of her father: Jack the Ripper himself.
A forgotten and aging actress tries to recapture her youth through her actress daughter's life. Her husband understands what is going on but invariably blames the daughter for his wife's disappointments.
Birthright, which presents the work of the Family Planning Association, is a valuable record of the organisation of contraception and fertility services before the introduction of the contraceptive pill. But, more than this, in its filmmaking style it conveys much about the social attitudes of this era, and the spirit in which those services were conceived and delivered.
A blind and deaf woman dedicates her life and sacrifices all she has for her son, a good-for-nothing troublemaker who gets mixed up with a criminal gang that tries to frame him for a robbery.
An ex-chorus girl lives on the Riviera, supported by a married man she doesn't know is a crook.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
