Margaret Sixel
For 20 years director George Miller fought to unleash the ultimate Mad Max movie- Mad Max: Fury Road. Witness George's journey from the dream of a female warrior to the harsh plains of the Namibian desert to statues of gold in Hollywood, California.
An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order.
Into the world of the Emperor Penguins, who find their soul mates through song, a penguin is born who cannot sing. But he can tap dance something fierce!
Babe, fresh from his victory in the sheepherding contest, returns to Farmer Hoggett's farm, but after Farmer Hoggett is injured and unable to work, Babe has to go to the big city to save the farm.
Australian born film maker George (Mad Max) Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories : songs of the land ; the bushman ; the convicts ; the bush-rangers ; mates and larrikins ; the digger ; pommy bashing ; the sheilas ; gays ; the wogs ; blackfellas ; urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia
The year is 1965 and Danny Embling, is an awkward, underdeveloped teen suffering from occasional bouts of stuttering, attends an all-male boarding school in New South Wales, Australia. it has been some time since Danny has had any romantic relationship with a girl. He slowly becomes interested in Thandiwe Adjewa, a Ugandan-Kenyan-British girl attending the all-girls school across the lake.
