Margarita Sanz
Ariela, a traditional Jew, meets Ivan, a young man who is not Jewish with whom she begins a secret relationship despite her family beliefs. This new experience allows Ariela to explore the world that was outside her community bubble. Ariela is discovered and threatened. Maintaining her relationship would mean leaving her life as a Jew and losing forever contact with her family and friends.
She was a self-taught scholar and a nun. And she refused to apologize for being a woman born into a man's world.
When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.
Igor is a plumber; Pina serves coffee. It is winter and they both deeply desire each other, but they are not free. In trying to figure out how to realize their love, she decides to make a lion costume for her little son and he decides to buy a photocopying machine for his wife. Spring will come at last and with it the consummation of love, filling their lives with hope and sex.
Marcela is a young woman who lives in Mexico City, where she makes her living teaching ballroom dancing. Everything seems to be fine in her little world: she is hoping to start her own dance academy and has romantic plans. However, one day she finds out that something strange is happening at her parents house: an underground and latent discomfort grows week by week. Gloria, her mother, seems absent, talking about strange events far from her daily routine and experiencing memory lapses. Almost at the same time, Nacho, Marcela's father, loses his job and, with it, his self esteem. Marcela forgets about her own needs choosing instead to concentrate on her parents troubles and reestablishing family harmony.
Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.
Quinceañera, is a Mexican telenovela, produced by and broadcast on Televisa in 1987, starring Adela Noriega and Thalía. Quinceañera was the first telenovela to talk about substance abuse, date rape and gangs, and is considered to be the first telenovela made for teenagers. Quinceañera was named by the Associated Press as one of the ten most influential telenovelas ever to air in Latin America, and Univision tlnovelas viewers named it one of their all-time favorite Mexican telenovelas. In 2010, Quinceañera was placed #7 on the People en Español's "20 Best Telenovelas" list, and in 2012, Terra named it as one of the fifty best telenovelas of all-time.
Vicky The Devil is an urban Cinderella drag queen in the quest for a prince charming and her own “happy ending”. One night, Vicky gets hit by Concepcion’s car, an ultra conservative retired teacher addicted to casino slot machines. Despite belonging to opposite worlds, Vicky and Concepcion will become close friends. Their friendship will put to the test when Vicky’s dark side shows its head.
La calle de las novias is a Mexican telenovela produced by TV Azteca and Zuba Producciones. Directed by Jaime Humberto Hermosillo, it stars Silvia Navarro and Juan Manuel Bernal as protagonists.
