Mari Kiss
After the death of his father, Szilágyi faces Scruffy, the hairdresser, whom he has been dreaded since he was a child.
Kata, in her 20s, loses her boyfriend and her job on the same day. She's been indulging in fantasies of a more thrilling romantic life, and the cold water of being alone and unemployed doesn't entirely dampen her imagination. She's egged on by three girlfriends who get together to talk about men and sex. Kata has possibilities: she meets David, a medical student; there's Tamás, a stranger on a train who might be good for a relationship and a job. There's also Miki, her brother who's had serious drug problems. Is fulfillment within her grasp?
Szarka and Barbi, two 17 years old girl travel to Europe to find love and happiness. The vacation starts bad, they lose all their money, but they don't wanna go home.
Imre Horváth and his friends gather to celebrate his wife's birthday. They are confused because of the changes in the country's politics and want Horváth to be much more active politically, but he is more concerned about his affair with his best friend's daughter.
An atmospheric, sub-hallucinogenic venture into the world of the unknown. The enigma facing a young woman is the identity of her father. Unfortunately for her, she becomes drawn into a small Romanian underworld of brooding menace, darkness, torture chambers, and bizarrely over make-over'ed vampires. The moody undertones and well chosen locations are certainly a bonus, as is the comically funny finale.
A family of boisterous children expect their father to organize a really exciting holiday. So when the chance comes up of spending it on a boat, the Ramona, it seems that the problem is solved.
Réb went to the United States about 20 years ago and in the eighties he returns to Budapest with his teenager daughter...
Vera is an engineer and a young divorcée. She is pretty, lonely, and has a boyfriend, Tamás, whom she is dating secretly on a certain day of the week at the week-end house of one of their friends, as Tamás has a family and does not intend to divorce his wife. Vera would like their relationship to be publicly acknowledged.
Dini goes to Sweden illegally and abandons his fiancée, Mari. After several months a young Finnish businessman called Pekka arrives in Budapest, carrying a letter and package from Dini. The sympathetic Pekka is judged by the friends of Mari to be suitable for the task of a nominal marriage, by which Mari could get out legally to Dini.
The second in command of a group of highwaymen, the only ones left of Hungary's freedom fighters in the late 17th century, has a wife who really, really wants him to come home and stop gallivanting around the countryside. The only way he can figure to do this is to inform on the group to the authorities in as harmless a manner as possible. Unfortunately, these betrayals cause the group to lose many men, and the traitor grows fearful of the authorities. He gives officials every scrap of information he has in return for a full pardon, and he returns home. His wife, when she hears of these events, is infuriated. Such betrayal is far in excess of anything she can condone, and she kills him. ~ Clarke Fountain, Rovi
Three thirtysomething chemical scientists, Laci, Gyuri and Kati celebrate the success of their development program before New Year's Eve with drinking for several days. But the morning of New Year's Eve does not bring the expected recognition, because the nice, bald, old director is replaced by a young, bald, but disagreeable one. In a sodden atmosphere it becomes clear that everybody has an axe to grind in the informative discussions.
At the station of Almamellék the semaphore turns red unexpectedly and the conductor shows a stowaway - with no money nor ticket - off the train. The stowaway has to undergo a serious and long investigation that tries to uncover the reasons for his "deed". In the meantime he can watch, like a spectator in a movie-theatre, how Kerek József, the strutting stationmaster rules his ridiculous empire through office bureaucracy, indifference, servility and negligence.
The theme of the delightful Hungarian fantasy film "A Very Moral Night," made in 1977 and now playing at the Public Theater, could well be innocence, even if the action does take place in a bordello. It is a good bordello, so sweet and wholesome that it seems a place of pure beauty and Eden-like charm.
While awaiting his release from the Soviet detention camp he is being held in, a half-starved refugee (Andras Ambrus) finds that an error has been made and his name is not on the to-be-released list. It is then that he is forced to assume the identity of a dead man whose name is on the list. Ambrus at first refuses, but because he was an orphan and cannot produce evidence of his true identity, he has no other choice. However, when he returns to the outer world and the community he was raised in, he is greeted with suspicion. When he tries to claim his part-ownership of a farm from his adopted uncle, he is refused and beaten by farmhands the uncle sets on him.
Bence - who is a member of his father’s petty crime organization – goes to his grandparents over the weekend. He is there to say goodbye to his demented grandfather and to provide some help to his grandmother, Magda with the old man’s caretaking. While he is with them Bence has to confront some unpleasant truth about the family’s collective past, and he also realizes the violence he casts on others follows him everywhere.
