Maria Alexandrova

A young woman wishes to fulfill her mother's dream of opening her own bakery in Notting Hill, London. To do this, she enlists the help of an old friend and her grandma.

6.2/10
5.8%

Anna moved from Russia to London to study at drama school where she met her girlfriend Emma. Now as Anna's student visa expires they've decided to get married and stay in London together. But first Anna has to talk with her conservative mother who is unaware of her daughter's sexual orientation.

6.5/10

Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest - Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.

7.5/10
9%

A behind-the-scenes look at Moscow's prestigious Bolshoi Theatre as it's rocked by an acid-attack scandal in 2013.

6.3/10
7.8%

Live recording in 2013.

Episode of 'The Bolshoi Ballet: Live from Moscow'. Live performance 24 Jun. 2012

In January 2006, the Prague International Ballet hosted the first-ever Prague International Ballet Gala at the Prague State Opera. Experience the performances from that inaugural year, starring Charles Jude, Daniil Simkin, Igor Zelensky, Delphine Baey, and Polina Semionova, among others.

Pierre Lacotte's production for The Pharaoh's Daughter, initially choreographed by Marius Petipa, is here magnificently performed by the Bolshoi Ballet in Moscow. Choreographed by Marius Petipa after Théophile Gautier's Le Roman de la momie, The Pharaoh's Daughter encountered great success when it was first premiered in 1862, before it sank into oblivion during the 20th century, because it did not fit the criteria of the socialist realism that was in force during the Soviet Union. In 2000, Pierre Lacotte was invited to the Bolshoi Theatre in Moscow to create a new rendition of the ballet, with new settings and new costumes.

La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.