Maria Gladys
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Suellen (Thalita Carauta) is a cook who works hard to keep her little son, her younger sister and her mother alone. One day, your dreams come true: she splits in two. Her copy, identical physically, has different personality, being much more extroverted and courageous. The idea would be to divide the tasks with the other one, but soon Suellen realizes that the look-alike has plans of its own, and decides to betray the original.
An orphan, a blind virgin who seeks sexual pleasure, a young man who prostitutes himself as a transvestite and is sexually abused by his brother-in-law. What was God thinking of when he created each one of them?
They live, they act, they love. Today they remember, they relive, they live through cinema and life.
Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.
Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.
Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.
Meu Nome é Dindi shows the movement of time over a young woman who owns a small marketplace near bankruptcy and fights for survival.
Quatro amigos que só pensam em curtir a vida, com grandes farras, mulheres e bebidas, são surpreendidos com uma ação de despejo. Precisando de dinheiro, a turma é obrigada a pensar naquilo que mais abominam: trabalhar! A confusão está formada quando cada um busca um meio fácil de conseguir dinheiro, com o mínimo de esforço. Os dias se passam as confusões hilárias só aumentam!
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.
Apolônio Brasil was a cult pianist who used to play in nightclubs in Rio de Janeiro, in the 1950s and 1960s. Quite a character, Apolônio was loved by women, idolized by his audience and friends, besides being extremely high-spirited and charming. For all that, his brain is removed after his death and becomes the center of a dispute among an American scientist, Dr. Bóris, who wants to study it, his friends and his son Paluca. The film is an attempt to pay homage to the nightlife in Rio de Janeiro of the 50s, and to the "chanchada" a genre of musical-comedy typically Brazilian. - Written by [email protected]
The struggling Lívia despairs when she learns that her husband, before dying, lost a fortune in shady deals. Widowed and with three children, she is forced to fight for her family and leaves for the paradisiacal beach town of Maramores, where her mother Zoroastra lives. Parallel to the difficulties, Lívia discovers that she is involved in the eternal struggle of Good against Evil. In fact, Lívia is the reincarnation of Princess Cecília, the eternal passion of the vampire Bóris Vladescu, who has been pursuing her for centuries. The two met in 7th century Europe, when Bóris disputed the princess's love with Count Rogério. Nowadays, Rogério was Beto, Lívia's husband, and the two times he faced Boris, his arch-enemy, he took the worst. Boris is in Maramores to get Cecilia, his immortal beloved. Or rather, Livia, who raises the boy Zeca, who she doesn't even suspect is actually a half-vampire, son of Boris. The vampire is willing to prepare his son to take his place, but Zeca is reluctant to accept his condition, much to his father's despair. With Bóris comes a legion of vampires willing to terrorize the residents of the peaceful city. Among them, the splendid Mina, his wife, and the gallant Victor, who involves the sweet Ciça in a game of seduction. Vampires are closely watched by the flustered Galileo Van Burger, a vampire hunter who failed to prevent his wacky son Bartô from being bitten. Who also keeps an eye on the vampires is the mystical Zoroastra, mother of Lívia, a modern witch, who owns the main inn in Maramores. And the mysterious Ezekiel, in reality an angel who came down to Earth to protect Lívia and Zeca from the evil that persecutes them. Engineer Rodrigo also arrives in the city, followed by his ex-girlfriend Lara. The two are the first victims of vampires. Lara is bitten by Victor and becomes an evil vampire, due to her bad temper. Rodrigo is bitten by Mina, who becomes pregnant and is expecting a daughter from him, which she says is from Boris. Meanwhile, Rodrigo is used by Boris to approach Lívia. Who does not like this involvement is Augusto, a friend of Lívia who has loved her in the past. Augusto is a widower who raises his small children with the help of sister-in-law Marta, a blind woman, but bitter and Machiavellian, who does everything to keep him from Lívia, because she loves him.
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
A fantastic tale in the brutal reality of a slum. The life of a boy with the rare gift of flying. Based on a Will Eisner's story
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Maria Eduarda "Duda" Pinheiro is a successful top model. After being hired to model Covery brand clothes, she meets the Kundera brothers, Alex and Gaspar, owners of the company. Gaspar, a former beatnik, is over 40 but still practices surfing, lives in a beach-side house and raises five children: Elvis (named after Elvis Presley), Ringo (Starr), Jane (Fonda), Olívia (Newton-John) and (John) Lennon, all from different mothers who left them with him. Anastácia "Naná" Passos, Duda's friend and mentor, loves him platonically, and rivalizes with Mariza Borges over him. Alex by contrast is a yuppie. He and their mother Morgana have a love-hate relationship and rivalry with his brother over Morgana's attention and the company. Alex begins to love Duda, however she falls in love with Lucas, a graffiti artist who is on the run from the São Paulo police due to his involvement in a crime there. He is also searching for his real father, and thinks it's either Alex or Gaspar.
Biography of one of the legendary names in the Samba genre of Brazilian music. Although he could hardly dance or play an instrument, he became one of the main composers of Portela, an important Samba "school" in Rio de Janeiro.
Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.
French poet Blaise Cendrars arrives by sea on the city of Rio de Janeiro and lives s life of bohemian parties during the celebration of carnaval.
Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cubas" ("Brás Cubas's Posthumous Memories"). A dead man tells about his love life and adventures, specially his affair with Virgília, a dubious married woman.
A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro. Among its costumers, we find Ana, an actress, and her husband Zeca, a writer in crisis about his work.
A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.
A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.
The artistic career and daily life of actress Maria Gladys.
Life and death of the jesuit who fought for the peaceful relationship between colonists and Indians
Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.
Experimental film, guided by the feeling of oppressive, paranoid, obsessive life of its characters. An essay on the oppression and dehumanization of the Brazilian people.
Successful manager is haunted by a sinister character who enters his dreams, Dr. Moura Brasil.
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
A dysfunctional family, composed of a prostitute and two gays, one strong and the other fragile and stupid, lives a routine life in Rio de Janeiro. When the slut threatens the other two to stop supporting them, they decide to find an odalisque as an alternative to keep their easy life.
A banker, Spider lives with three women. The tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for criticism.
Poor boy treats a sweet lemon tree as his only friend, talking to it, and learning important values in the process. But one day the tree must be cut.
“The theme is the revolt of the slaves, the repressed who because they have no way out decide to turn ten or twenty days into an eternity. So they kill their masters. They will certainly die, but that space of freedom, even if it only lasts a week, for them is an eternity.”
Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn't have a job, he doesn't go to school, he just lives on the spur of the moment, watches TV, plays soccer on the beach by day and goes out with his mates by night. He meets Irene, a 40 year-old woman and they have a love affair that is going to change his life - for a while.
Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria is a mystical visionary and believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits. The two bandits take over a house after kidnapping its owner and his girlfriend.
A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.
Womanizer suddenly finds a woman who makes him change the way he looks at women. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life or embrace this special relationship and become a monogamous man.
A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.
A young man must choose between two women. The one brings him the money, but the other he loves. Directed by Billy Davis (as J. P. de Carvalho).
