María Rosa Fugazot
Andrea finds out that an embarrassing video of her has gone viral. While she contemplates the idea of suicide, a hacker hired by her ex-boyfriend watches her anxiously through hidden cameras installed all over Andrea's apartment.
Mental illness and the power of friendship. Mara and Joaquín were childhood friends, next-door neighbors. They are now in their early 30s. She's returned to Acassuno after eight years abroad, ostensibly to audition for a part in a musical. Joaquín has been a recluse in his parents' house, perhaps because Mara left without a word years before. Mara seeks to renew the friendship, which may be good f
Laucha (Alberto) is a regular middle-aged guy who lives with his elder mother and works at a factory. After a night out where he attends a show by transvestite artist Dominique, he develops an unexpected fixation with the artist. What started out as a loud reaction of disgust and bigotry, slowly turns into him realizing that he is in fact infatuated by Dominique. This newfound interest fills Laucha's mind with guilt and doubt, while his coworkers start mocking him for dating a "wierdo", and his family grieve his lost decency. In the midst of Laucha's predicament, a revelation by Dominique will shake the board.
The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.
