María Teresa Orsini
In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.
Hercules battles an evil sorceress who turns men into werewolves. The mythic duo returns in Prisoner of Evil, where a sorceress seduces Herc and transforms him into a mindless beast. Italian horror master Antonio Margheriti directed this installment of the Hercules legend, a blend of sword-and-sandal fantasy and horror.
it's a fast moving blood and thunder tale well rendered and at least rooted in fact, and has a good feel for the period. It's interesting to have a look at somewhere else in medieval Europe besides England and France for a change. After all, Spain, Portugal, and the Italian states and some other principalities were big players at that time, too.
