Mariana Nunes
Maíra was raised by her father believing that her mother had died. This was a lie her father told her in order to protect her from the scorn of her mother, who rejected her when she learned that her daughter was born with a disability. Many years later, Maíra comes across a stranger on their doorstep. That’s Zoé, her mother. Without revealing her true intentions, Zoe reappears asking her daughter’s forgiveness for having abandoned her. As in a dream that turns into a nightmare, Maíra experiences the strongest emotions of her life and what would be a happy fresh start for Maíra with her family turns into a long and dangerous journey.
Greasy hair; grooved and unshaven face; emanating alcohol fumes. Raúl just doesn't care anymore. In the opening scene of Death Inhabits at Night, the unemployed writer pours himself another glass of cheap wine as an upstairs neighbour leaps to his death. His girlfriend is clearly more upset by the incident. A little later, she finds a letter by the door reminding them to pay the rent or be evicted. Raúl shrugs and suggests going back to bed. But all of this dismissiveness changes following a meeting with a troubled young girl.
The special features 22 real testimonials from people like Mandela, Martin Luther King and Marielle Franco, who fought racism and freedom in favor of justice.
5 teachers deal with terrible conditions in public schools but renew everyday their faith on the work they do.
In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.
Based on the book of the same name by Solomon Polakiewicz, it tells the story of Maurício, a freshman from the prestigious Federal University of Medicine, son of Cida, a nursing assistant who works hard to see the young man enter college.
In 2011 Portugal began the so-called "year of the Troika" (EU, IMF and ECB budget cuts and economic restructuring), with the level of debt among the Portuguese people reaching staggering amounts and a growing number of families and companies unable to repay their installment loans. Jorge is an unemployed boxer on the verge of losing his son and his wife, who has decided to return to Brazil. As a means of paying off his debt and persuading his wife to remain in Portugal, Jorge accepts a job with a debt-collection agency, which will drag him into a world of violence and crime.
Eduardo Borges (Bruno Gagliasso), or Edu, is a young man above all suspicion: handsome, smart, and sensitive. However, his perfect man appearance is simply a mask that covers up his fearsome personality: a dangerous psychopath behind a number of crimes that have caught the police’s attention. A cold, conniving, and callous criminal; a serial killer who kills purely out of pleasure.
Nando, a 12 year old boy, narrates the adventures of his father Antonio, during the 60s in Brazil, who leaves the inland of the state of Minas to go to Brasília, a recently inaugurated city, but still with construction works in progress.
Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.
11-year-old Lucas finds a philosophy book by Nietzsche in the city dump, discarded by its previous owner. This improbable meeting will be the beginning of a violent revolution in his mind, within his family and within society. In the end, Lucas will be no longer a boy -- He will be dynamite.
In a petrol station near the road, three characters meet: Rita, the station's owner, that keeps searching for a love that she thought she once had; Wésley, a seller of pirate DVD's and CD's that, after thrown into underemployment, is trying to rebuilt his life; and Caburé, that haven't slept in years waiting to redeem a past of life and death. Gathered by an apparent coincidence, they weave their fate until they discover what is common in their stories.
Cinelimite presents a video essay by Juliano Gomes and Mariana Nunes, in which they delve into the symbolism of Compasso de Espera: a film conceived by Zózimo Bulbul and Antunes Filho in response to the lack of opportunities for Black professionals in the film industry in the late 1960s.
