Mariano Peña
Alfonso, pursues the girl of his life to Harvard, determined to conquer her under the same friends and outlandish plans that his brother used in Oxford. But when you least expect it appears Martha, the girl he fell in love while at school. Sequel to "Fuga de cerebros".
A summit of the highest level will be held at the village, to be attended by the major powers of the time: France, England, Portugal and the pope himself. Although these countries have forced the encounter with the excuse of seeking peace between the Spanish and Lusitanian, the real motives are to attack the Kingdom of Spain. To ensure the success of the plot, in which the Marquise de Santillana will be a key, they hire a bloody Cossack to end with Águila Roja ("Red Eagle"). Our hero manages to beat the villain in the fight but his son Alonso is injured and that leads Águila Roja to abandon the struggle for justice and throw away the katana. Thus, both the town as the King and the kingdom are at the mercy of traitors ...
Emilio, a shy, not too brilliant pupil at a humble local secondary school, has always harboured a secret love for Natalia, the cutest, brightest girl in the class. On the last day of the school year, when he finally decides to declare his love, Natalia is awarded a scholarship to study Medicine at Oxford. It would seem that all is lost for Emilio, but his drop-out school-pals are not ready to throw in the towel. After faking qualifications and scholarships, this band of brainless nuts land in Oxford, causing havoc in the normally peaceful campus existence. —The Film Catalogue
Two speleologists, Esteban and Pedro, travel to a mountainous area located in northern Spain, near a small village, to study a newly discovered cave and determine if it is of scientific interest, while Gabi, Esteban's wife, awaits their return on a lonely road at the foot of the mountain…
Two jobless Forty-somethings: Maca and Rena are in serious need of a financial stroke of luck. When they spot an ad for a TV contest looking for the next Pop Idol, they decide to turn themselves into the MANAGERS of two young hopefuls: Pipo and David. While launching their careers with performances in bars, bingo clubs and other such dives they encounter Rota, a shady old singer who arranges for them to tour the Costa del Sol. Thus begins a frenetic road movie where dreams of success turn into a nightmare inhabited by strange creatures: Tom Jones clones, porn stars, enlightened arabs, psychopathic marines, kitch TV presenters, corrupt politicians and even extra-terrestrials.
The story follows Angel (González), twenty years old and barely employed, a man of few friends and a not too promising boxing career. Angel and his mother scrape out a living in Madrid. Enter Vidal, a professional bank robber and a real charmer, just back from Argentina. A former boxer with past ties to Angel's mother and his deceased father, he offers Angel a way out of his dead-end life. Along the way, Angel will have to decide who he truly wants to be and, more importantly, what he's willing to give up.
Early 80's, Sara is a good-family girl, she has never been with a man, does not drinks, does not take drugs. Following her love, she enters in "El Calentito" a bar where the group "las Siux" is singing.
Aída is a Spanish comedy sitcom set in Madrid, that spin off from another sitcom called 7 Vidas. The show first aired on January 16, 2005 and is produced by Globomedia for the Spanish network Telecinco. It currently started its ninth season. The show stars Carmen Machi as the title character, Aída García, a working, single mother with two teenage children, forced to move in with her mother and brother to make ends meet. The show has received favorable criticism from the audience and has been the most viewed show in Spain since 2007. It has also received several awards like the Ondas Award for Best Spanish Sitcom. The Polish re-make of the series began airing in March 2012 on TVP2 channel.
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
Each of the members of a group of hackers is willing to fight against system. Their messages and attacks are political, socially demmanding but also playful. Each of them have reasons to have moved to that virtual side, where they can be who they can't in real life. However, the sudden implication of authorities (pressed by goverment to be tougher against hackers)and of a wise and dangerous cracker will cause a turn in their crusade. Will they use the enemy's means or their ideological motivations imply a respect for law and human life?
