Marie Brassard
The Viking Society is recruiting volunteers to collaborate on the first manned mission to Mars. The objective is to form an alter ego B team who will live the adventure in parallel, behind closed doors on Earth, in the hope of remotely solving the interpersonal problems encountered by the five real astronauts who will soon land on the red planet. The film is about how David, a physical education teacher, takes this opportunity to rekindle his dream of becoming an astronaut and, perhaps, make a difference.
Sophia, a brilliant doctoral student, has always maintained a symbiotic relationship with her brother Karim. The arrival of a new lover in Karim’s life significantly alters their dynamic.
Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.
Caught stealing drugs from the wrong people, 27 year old Vincent is in trouble and on the run from the local mob. Fleeing to the backwoods, Vincent unexpectedly reconnects with his brother Michel with whom he’d cut ties many years ago. As he tries to maintain the semblance of a normal life hanging out with friends and playing in his band, Vincent witnesses his brother's own turbulent downward spiral.
Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.
A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.
This is the portrait of two recently released prisoners (Pierrette Robitaille and Romane Bohringer) who learn to live in a sugar shack deep in the forest.
With the villagers of Saint-Élie-de-Caxton barely having enough food to survive, Ésimésac convinces them to collaborate on a community garden. Each person will multiply his or her yield by cultivating the land together. At the same time, talk of a new railway line promises to connect Saint-Élie-de-Caxton to the rest of the world and brings the hope of abundance. Riopel, the hulking blacksmith, starts working on the railway track and convinces the locals to invest in his project rather than waste their time playing in the garden. Ésimésac’s big project flounders under the weight of metal. But can he really stop progress?
The story of Catherine, who, after her violent husband puts her life in serious danger one night, decides to run away with her son and start a new life under a fresh identity.
Triggered by the death of a family member a young woman embarks on a singular journey of helping people who are about to die. The dying have nothing to lose and need lasting moments of intimacy that Simone finds herself willing to give at no cost. But Boris won't let her get away with it quite that easily. He realizes how well she hides behind those intense but short lived relationships. He won't hesitate to provoke her in a violent burst.
Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.
After the death of her unfaithful husband, Gisele, a social worker of 52 years, falls madly in love with Yannick, one of her former customers and kleptomaniac addict. She tries to repress her feelings, but the attraction she has for this 19 year old boy is beyond comprehension. Her sister, her boss and two children will each turn, disrupt her secret meetings with her young lover.
Four people are affected by one man's disappearance: Lucette, his wife, who anxiously awaits his return; Louis, a young father whose relationship with his wife is going through confusing times; Chantal, a hotel receptionist who dreams of sharing her life with someone else; Marcel, an ex-gambler confronted by the realities of aging.
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
In this French Canadian thriller, an actress wins the role of a murder victim in a film based on the true story of an unsolved crime. She discovers her neighbor was the lover of the woman who was murdered in real life -- and is still a suspect.
During a brutal Quebec winter, a teenage girl mourns her best friend killed in a car accident.
