Marie Matheron
After the death of her mother, 17-year-old Prudence finds herself living alone in her Paris apartment. Then she meets Maryline, a rebel of her own age, who introduces her to the thrills of motorcycle racing on the biker circuit at Rungis. Prudence’s newfound lease of freedom becomes complicated when she falls for a boy Franck who wastes no time in taking advantage of her naivety...
Paris, 1968. Overnight, Isabelle, a young high school student, comes home in shock after what she saw in the streets. Her parents decide to take her to the countryside to escape the disorders. From then on, Isabelle has only one thing in mind: get back to Paris. Instead, her life will take a whole different direction.
Six months after losing their five years old daughter in a fire in the barn of their little farm, Jean and his wife Laure are facing troubles in their relationship and financial problems. Laure grieves the loss of their daughter and blames herself for her absence and Jean for his negligence for the fire; Jean is trying to rise from the ashes and somehow rebuild his life; and the insurance company refuses to pay the prize for the accident. Jean asks for a job in a mill to a friend to make money and support the psychiatric treatment of Laure. In his new job, he meets and becomes friend of the Kosovo refugee's siblings Kastriot and Labinota, while the Laure's sister Valérie separates them. Jean feels the passion of love and sense of life in his relationship with Labinota, who had her life destroyed with the war.
In 1919 in Corrèze, in the small village of Saint-Roch, women are fighting against the desertification of the countryside and the lack of men during and after World War I.
The lives of the residents of a small French town are changed when thousands of the recently dead inexplicably come back to life and try to integrate themselves into society that has changed for them.
Story of two gorgeous, young French boys who begin a passionate relationship that boils over and threatens to destroy both their lives. Shy Mathieu is 18-years-old and on summer vacation in the south of France. He spends his days lazily sunning himself at the beach, until he spies the handsome Cédric and falls in love. The film, like a dream, flows back and forth between the past and present, often asking us to fill the deliberate jumps in time.
Three very different adolescent girls team up to take revenge on men until one day it is no longer a game.
Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.
It’s the story of a love quadrangle, a child, a theater troupe, and a long winter. Nathalie is pregnant, but the baby’s father, Stefane, leaves her for Sabine, a set designer for the theater. Sabine has just left Bruno, an actor in the same troupe. Nathalie tries to kill herself and is saved by her friend Leni, as Stefane then follows Sabine on her theatrical tour...
Louis, a nine-year-old boy from Paris, spends his summer vacation in a small town in Brittany. His mother Claire has lodged him with her girlfriend Marcelle and her husband Pelo while she's having her second baby. There Louis makes friends with Martine, the ten-year- old girl next door, and learns from her about life.
