Marie Mosquini
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
A screenwriter falls in love with a Mexican woman while searching for a story line south of the border.
Kay Kerrigan commits a murder and then changes her hair color, assumes a new identity and flees the country by ship. She's unaware that she's being followed by Sam Wye, a skirt chasing detective. The two soon develop a shipboard romance. Will Sam be able to bring Kay back to the States and likely imprisonment?
A dejected Parisian sewer worker feels his prayers have been answered when he falls in love with a street waif.
Four middle-aged actors jointly adopt an orphaned baby girl, raising her in a backstage milieu.
Charley has in-laws that look down on him because he's not rich. So, to try to keep up, he rushes out to buy a car--but no matter, they still think he's a drip--as does his wife. Later, when he's given a simple job to do by his boss, he screws it up--and loses face once again with his family.
Charley Chase plays the type of character he does best, which is a weak nerd who is constantly letting people push him around. This happens at his work when a co-worker sneaks off with the boss's daughter who just happens to be the crush for Charley. After accidentally getting loaded on bootleg whiskey, Charley gets some courage and goes out to get his woman.
A young cowboy takes a job at a ranch owned by two aging spinsters, unaware that both are completely in love with him.
Will Rogers plays a lazy man who is chosen by a group of men to run for Congress.
A shy cowboy is interested in the local school teacher, but must compete with a bully for her attention.
A man starts working in a department store and has to deal with a female kleptomaniac.
Hal Roach produced comedy has Will Rogers playing the title character, a rather slow, dimwitted man who works on a ranch where he usually gets pushed around at. A woman (Marie Mosquini) comes to town looking for someone to help her photograph some of the animals so she picks Hank and soon regrets it.
'Snub' Pollard is an local actor getting a big break in the movie industry, coming home to show off his fame.
The story of the first Thanksgiving is re-imagined as a father tells it to his son.
'Snub' Pollard wants to hang himself but figures joining the circus was better idea.
This Hal Roach comedy short I found on the "American Slapstick" DVD collection of rare silent comedies starts bizarre and has an anything goes-quality one rarely sees in Mr. Roach's output. It stars Snub Pollard who is initially introduced as a baby left on a doorstep before we see him fully grown about 20 or so years later still in that basket! From there, he gets bumped car to car crossing the street prior to getting literally thrown through a window as an auction is taking place! Also appearing is James Finlayson as a man who's items accidentally get sold.
After their house is blown away by a twister, a farmer and his wife decide to move to California. Once over the border they're greeted by rain, hail, snow and an Indian uprising.
A group of oil magnates are trying to think of new ways to attract business. One of them suggests that they contact the inventor Pollard, who has devised a new gasoline substitute. Pollard himself lives in a home filled with his eccentric inventions. When he gets the message from the oil company, he is excited about the opportunity to demonstrate his innovation.
When a store clerk organizes a contest to climb the outside of a tall building, circumstances force him to make the perilous climb himself.
Paul Parrott plays an obsessive-compulsive bill poster in this thoroughly average Hal Roach comedy from 1923. Hired to help publicize a new Gloria Snootful picture, Paul goes bonkers with glue and paper and ends up attaching promotional material to any surface within his reach, including the rear ends of a number of people, though his attempt to nail a poster to a glass window is somewhat less successful.
The owners of a movie studio are having problems with a temperamental director, and they promise an actor on one of his pictures that he can have the job if he can find a way to make the director leave the picture.
Like many a Snub Pollard comedy, "Years to Come" is a complete flight of fancy. In this one, it is the year 2000, and the roles of women and men have been completely reversed. That's where almost all the jokes come from.
Eddie suspects his wife of having an affair with Snub. Snub, meanwhile, just wants to get to work on time.
A couple of old guys remembering the old days when courting Marie Mosquini.
Marie's inebriated husband refuses to go to bed, so she asks Snub, a homeless man she finds sleeping in the park, to assist.
An auto accident hurls Snub into a skating rink, where he encounters Rowe and Marie. Among the various slip-and-falling going on, two frisky escaped monkeys from a show put on skates to join in and create pandemonium.
A tenderfoot arrives in a western town and the inhabitants give him a rough time.
"At the Ringside" is filmed in a "slum" which is rather obviously a studio mock-up on the Hal Roach back lot, and it clearly copies the Lambeth-style slum in Chaplin's "Easy Street" (which was also a too-obvious mock-up). The first half of this film is a blatant copy of "Easy Street". Pollard plays the local constable, charged with maintaining order in the tough slum district.
Snub is an street sweeper with OCD, living in a neighborhood full of fussy people. He is sweeping the street when he anticipates a cop who is about to throw some litter into the road and dashes over to catch it in his cart. He then tries to save a drunken man from falling into the road before stopping his cart to pick up a solitary leaf which has dared to fallen upon the ground. The eccentric and obsessed street sweeper meticulously disposes of the leaf but when he turns around he finds half the tree has shed its leaves at that very moment
Snub Pollard and Marie Mosquini are to be married, with Ernie Morrison as their best man. It's the usual gag-filled Pollard one-reeler, with William Gillespie pointing out that if she wants to get married, he has a marriage license too.
A typical Pollard-Morrison outing is Rush Orders (1921), in which the pair ride into town on a railroad handcar (with Morrison providing the locomotive muscle). When there it's all about the hustle for food with rivals and advertisement in the café business..
Snub Pollard (sans moustache) and Hughie Mack are tenants sharing a bed in a small hotel. They wake up at 6am and prepare breakfast with two eggs which are taken out of Snub's jacket pocket and put into a coffee perculator. The landlady (Vera White) storms up the stairs when she smells the coffee being made and demands that the janitor (Earl Mohan) break down the tenants' door with a pick-axe.
Captain Dandy (Snub Pollard) is about to sail and arrives on the dock where several women take turns to individually say goodbye to him (the last one even wrestles him to the ground) before he boards the ship.
Delivery man 'Snub' Pollard and his assistant Sunshine Sammy nearly run over Marie Mosquini in the street and ends up at dance school.
Run ’Em Ragged, Snub Pollard’s 39th starring vehicle, uses familiar Mack Sennett slapstick—over-the-top make-up, ethnic humor, and a Keystone Cops–style chase across Los Angeles’s Echo Park. But there is more here than knockabout. Sophisticated sight gags test the limits of the characters’ perception, making expert use of such props as a seemingly bottomless rowboat.
A once-act farce about two neighbours who purchase a car that they can use to go on drives with their wives.
Snub goes butterfly hunting in Grffith Park and catches Marie Mosquini by accident. They go to a café where all the men have a lot of hair on their faces and the usual mischief ensues.
Snub and his wife give up their bungalow and allow another couple to move in. Then it develops that they can't find another home, and must live in an improvised tent. (From IMDb)
As tens of guests pile out of a wedding ceremony a jilted and bitter rival (Eddie Boland) vows revenge on the new bride. The wedding limo pulls off leaving the groom (Snub Pollard) behind, who then has to chase it down the street. He catches it up but is made to sit on the back of the car "as ballast". The car comes to a halt where the groom mistakes a policeman's gesturing of traffic as an offer of a handshake. Finally, the groom arrives at his house where his servant greets him, but unbeknownst to him, the servant's child (Ernest Morrison) has set up a scare in the shape of an "angora" bird in a cage under the dinner table before they get there.
The film begins with a girl who is supposedly irresistible to all men. Several guys all come to her to pledge their undying love--including Harold Lloyd's brother, Gaylord (who is a dentist). Shortly after this, a new dentist (Snub Pollard) arrives to work in an office across the hall. In a very funny scene, Pollard manages to steal all of Gaylord's patients from his waiting room. However, when it comes to dental work, Snub is highly unlikely to receive the American Dental Association's seal of approval. That's because he's incredibly rough and manages to toss a guy out the window when he pulls his tooth.
Two rival bicycle messengers are sent to the same location: a wealthy artist's estate populated with attractive models.
After numerous failed attempts to commit suicide, our hero (Lloyd) runs into a lawyer who is looking for a stooge to stand in as a groom in order to secure an inheritance for his client (Davis). The inheritance is a house, which her scheming uncle "haunts" so that he can scare them off and claim the property.
A young adventurer trades places with a European prince and falls in love above his station.
After being ejected from an establishment for being drunk and disorderly, George Rowe, Sammy Brooks, Hughie Mack and Snub Pollard form a drunken singing quartet in the street before a car comes and takes Sammy and George away, leaving the other two staggering in the road. Snub and Hughie agree to go somewhere "where there are no wives, landlords or prohibitionists", and so three months later they emerge on a prairie with supplies dwindling.
After a wild bachelor party, our hero finds himself aboard a sailing vessel where he encounters numerous adventures. In a dream sequence, he fantasizes that the ship is seized by a band of female pirates.
Snub plays a rich guy who wants to impress the ladies with his virility. So he pays a tough boxer to take a dive in a staged fight, though the fight definitely does not go anything like expected.
Boy trying to impress girl, gets chased by her father and the police right into an ongoing marathon.
Snub Pollard and his friend are clearly under their wives thumbs. But his grandfather turns up and tells them to assert themselves, which they do. Her father is not impressed.
While running away from his girl's father, Harold's car breaks down in front of a dance hall run by crooks. Harold has to not only stay one step ahead of the girl's father, but also those trying to rob them of everything they have.
All I can figure is that Stan Laurel is picked up at the train depot and brought back by the husband to the family home where the wife is having a suffragette meeting. None too pleased they cause mayhem and then the neighbours are brought into it as Stan cleans up the backyard by throwing all the rubbish into their award winning garden.
Harold and his rival fight over Bebe on her birthday, first at her home and then at a nearby skating rink.
Stan plays a janitor at a hotel dropping letters and trying to retrieve them with a vacuum, getting wet, helping a lady shoot her cheating husband and being chased by the police.
A nervy young man follows a pretty lady into a diner to flirt with her, but winds up getting stuck with the tab.
Luke is a pickpocket, hiding out from the cops in a dive in the slum part of town. He later winds up in a boxing match which again brings the law on his tail.
