Mariko Nakamura
A magazine reporter gets involved in a murder case while covering a rose nursery that's developing a blue rose.
Shun Nakahara directs this comic take on Sidney Lumet's 1957 classic Twelve Angry Men. Just as in that earlier work, this film takes place in a jury room and takes place in real time. The film opens as the jury is about to acquit the defendant -- a bar hostess who pushed her ex-husband path of an oncoming truck, supposedly in self-defense. Just as everyone seems to be in agreement over the woman's innocence, one bespectacled juror (Kazuyuki Aijima) -- no one is given names in this film -- voices second thoughts. Slowly, like an inversion of Henry Fonda's character in the earlier film, he sets about convincing his fellow jurors -- a group of nice folks who don't like thinking ill of people -- that the defendant is in fact a cold-blooded killer.
At the beginning of the film the father-in-law of the protagonist dies unexpectedly of a heart attack. The remainder of the film is episodic, moving from one incident to another over the course of the three-day funeral, which is held (as is customary) in the home. These incidents contrast old ways and new ways, young and old, ritual ceremony and true feelings, often comically, but sometimes with real poignancy.
