Mario Pardo
A mysterious place, an indescribable prison, a deep hole. An unknown number of levels. Two inmates living on each level. A descending platform containing food for all of them. An inhuman fight for survival, but also an opportunity for solidarity…
Thanks to the Vegetarian Pact, all animals live in peace and harmony. All but one: the hippen Crevel, who lives with the anguished feeling of not re-testing the meat. Decided to calm his hatred, one night Crevel goes to the cemetery ready to devour the corpses, but he can not do it, because there is none. The lion Persius and his consigliere, the tiger Altaicus, organized a whole nutritional network with the dead to keep their carnivorous habits. When discovered, they accuse Crevel of the brutal desecration, forcing him to flee from the wrath of the herbivores.
Paula, a renowned designer, set up his workshop and his home in a suburb of Barcelona which is imposing an upper class with a penchant for shopping and fashion brands. Believes that its name and its contacts can set a trend in this place has decided to make a large investment. But the arrival of Paula is not exactly what the neighborhood expected. In fact, it earns the dislike of people who are displaced from the building where its modern boutique sets.
Manuel is a Spanish writer who has emigrated to Argentina. He hears that his childhood village in Spain is to be turned into a reservoir, and returns for one last trip. There he meets widow Virginia, an old love, and begins to hope that he might reignite the flame between them. As old secrets are revealed, the villagers must come to terms with their imminent loss and the drowning of their home.
Juan Pinzás’ fantasy thriller “La Leyenda de la Doncella” [Eng. Title: The Hornet] is set in a remote village in the Galician region of Spain, somewhere around the early part of the twentieth century when superstition was rife and village folk practised witchcraft, among other things.
While the last remnants of the Empire are extinguishing and King Philip II (1559-1598) is dying in the shadow of lost splendor, a man, defying the divine and human justice, turns his passions into fate and his will into law. His fame is as great as his pride. His conviction, eternal. His name, a legend: Don Juan. Free adaptation of "Don Juan" by Moliere.
Madrid, 1924. A ne'er-do-well in his 30s, perpetual disappointment to his aging military father, hatches a plan to rob the mail train to Andalusia. He intends the hit to be bloodless, but complications arise soon.
In Portugal, in the 60s, the corpse of a man appears on Dog's Beach. The corpse is identified as the major Dantas, a man wanted by authorities after his escape from a military prison where he was awaiting trial for insurrection.
Lorca, a great Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He was executed by Nationalist forces at the beginning of the Spanish Civil War. Nickolas Grace gives a fabulous interpretation in the title role and he even bears a remarkable resemblance to Lorca.
In 1938, at the height of the civil war, the musicians of the military band were very worried about their next concert. Agustín receives a letter from his girlfriend, who tells him about the difficulties he is going through with the rice harvest. She then decides to ask permission to go and help her, but as Lieutenant Urquiza refuses, she escapes. Two companions sent to bring him back, finally, stay with him. Also Sergeant Perez and several musicians who go looking for him stay with them.
Biography of Julian Gayarre (1844-1890), one of the best tenors of all times. At 19, a professor at the Conservatory of Music in Madrid heard him singing for the first time and offered him a scholarship to continue his studies. His artistic life runs between continued success, becoming the world's greatest tenor. But in 1890, while singing at the Teatro Real in Madrid, a failure in his voice is like a cruel reminder of what would happen a few days later: his death at a young age. The doctors gave a diagnosis, but his friends know that Julian Gayarre died because he could not sing anymore.
In the empty house of his family, Ramon, a poet, remembers the last day of the life of his master: the last time he went out with his friend don Latino de Hispalis, his talk with a minister and his dinner with Ruben Dario.
As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.
In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.
Once upon a time there was an empire on which the sun never set. This empire had a court. That court had a king, but the king had no heir. The king, who understood that the coupling is the duty of state, gets married and he tries to have a child with exemplary dedication, but he didn't achieve his goal. The whole court, from the nobility to the clowns, gets down to work, sparing no means or methods to achieve the desired heir.
Based on the acclaimed novel by Pérez Galdós, a portrait of Spanish society at the end of the 19th century through the eyes of two women, Fortunata and Jacinta.
Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.
Cops and a reporter attempt to capture a mysterious killer plaguing the city.
In a city on Spain’s Costa Brava, Clara Valverde, a young beautiful woman, lives with her husband Juan. Juan is an architect and has planned a daring urbanistic project. In reality, the project is not viable. Clara, to keep her marriage and finances a float, works as a porno actress in an underground film industry. In spite of her job and her marriage, Clara is still a virgin. Her marriage has never been consummated because her husband is impotent for which she blames herself. In her work she does not allow to be penetrated. One day she goes to a reunion with Kellerman, an American millionaire who seems to be interested into put into fruition Juan’s project. However soon Clara learns that what he really wants is to blackmail her. The owner of the house, Jorge, finds out Claras’s real occupation and if she does not have sex to the American would tell everything to her husband.
A dishonored Union Army officer (James Coburn) leads a group of convicts to retake Fort Holman from the Confederate Army.
This western is set in Valencia, Spain at the end of the 19th century, and stars Terence Hill as a close-mouthed gunslinger. The bad guy is the local landlord and aristocrat (Fernando Rey), who horribly abuses the laborers in his community.
Lorenzo is a handsome, intelligent, charming, elegant and liberal man. All he asks for is total devotion. And Margarita, foolishly, falls in love with him…
In Spain, Antoñito, a child, is punished to remain standing doing the fascist salute. As an adult, turned into a young college student, he tries to free himself from the perverse amalgam of ideas, values and beliefs with which his family, the Catholic Church and the repressive elements of the Franco Regime poisoned his mind during his childhood.
