Marion Hänsel
On the occasion of the 150th anniversary of Matisse's birth and of the exhibition at the Center Pompidou which will be dedicated to him in 2020, this art documentary brings us back to life of the journeys made by Matisse that influenced his art. And particularly his last trip to Polynesia in 1930 which will bring him to the threshold of contemporary art with the invention of his gouache cut-out papers.
A young hunter sets off an a journey to find a girl he saw on his computer.
On the basis of conversations with Hänsel and some of her permanent crew members, a remarkable portrait is created of a filmmaker who is also her own producer, i.e. boss. The relationship between characters and their natural environment plays a major role in her work that is often based on novels.
Homer and Joé trace the rivers of Croatia aboard a small boat. In spite of being fifty years old each one, none of them knew of the existence of the other until the recent death of the father of both. Now, however, they are half brothers. During the voyage, they meet Sean, an enigmatic Irish adventurer who will join them on the journey.
This is the first film by Hänsel based entirely on her own script and gives a wise and loving significance to the concept of personal and anecdotal. With beautiful leading roles by Canto as mother and Gourmet as her ex. Together, they drive to a ski resort to fetch their son, a ski instructor with a broken leg.
Though its aftertitles detailing the history of French nuke experiments suggest otherwise, writer/director Marion Hänsel’s Black Ocean is not a political treatise or a history lesson, instead taking advantage of the remote, isolated environments in which the experimentation took place – as well as the monumental imagery of the act itself – in order to communicate a more universal story about the power of awe. Ocean principally follows three young sailors on a French naval vessel in 1972, who are on course for an unknown destination in order to help carry out the bomb tests they’ve yet to personally witness. The film is essentially divided into two parts: before and after the blast.
Gilles' wife, Elise, who smiles when she thinks of him, cooks and scrubs and cheerfully makes love to him, suspects during her third pregnancy that he is having an affair with her coquettish younger sister, Victorine. Elise suffers, usually in silence. She listens to her husband rave; she asks her priest; she breaks picture frames; she weeps. She decides on a strategy to keep him. Will she succeed?
Marion Hänsel directed this personal meditation on the joys and responsibilities of parenthood, in which a narrator reads Hansel's philosophic musings on raising her young son on her own, while carefully shot and selected footage of different cloud formations from around the world provide a striking visual backdrop. Catherine Deneuve read Hänsel's text in the original French-language version of Nuages; Charlotte Rampling did the honors for the English-language print, while Barbara Auer, Carmen Maura, and Antje De Boeck respectively lent their voices to the German, Spanish, and Dutch editions of the film.
Two soldiers from opposite sites get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?
Story of two gorgeous, young French boys who begin a passionate relationship that boils over and threatens to destroy both their lives. Shy Mathieu is 18-years-old and on summer vacation in the south of France. He spends his days lazily sunning himself at the beach, until he spies the handsome Cédric and falls in love. The film, like a dream, flows back and forth between the past and present, often asking us to fill the deliberate jumps in time.
This thriller investigates the mysterious assassination of a gay pastor in rural South Africa. Without witnesses or explanations, the crime appears to the police and others as a jigsaw puzzle without enough pieces. The police then suspect and arrest people based on the usual prejudices, black and coloured people who plant marijuana in this case. Meanwhile, the true assassin not only goes his way unpunished from the very beginning, but becomes one of the rural town's most respected citizens. The sheriff at one point does begin having certain suspicions, and from there on the bulk of the plot is played out. The location is a very arid part of South Africa, so with so much desert rock, there are bound to be quarries. Some may reveal important secrets.
Two very different people become friends and partners in this nautical drama. Nikos (Stephen Rea) is a radio man working on a Greek freighter when he finds himself stranded in Hong Kong after the firm that owned his ship suddenly goes out of business. Nikos is already depressed over his recent breakup with his girlfriend, and this latest turn of events hardly makes him feel any better; he develops a dependence on opium as he works a variety of odd jobs trying to keep himself together while waiting for his ship to return to the sea. Li (Ling Chu) is a ten-year-old Chinese girl, cut off from her mother and father, who has a sampan and asks Nikos to help her get the boat ready for the water. Nikos doesn't much care for Li at first, but her youthful optimism and determination to succeed make an impression on him, and in time he leads her on a voyage to find the family she left behind years before.
Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.
Antwerp in the fifties. Robin de Hert grew up in a Catholic parochial environment; on the one hand there is his authoritarian father and the sadistic secretary of the Catholic boys technical school, on the other hand there are the 'Grieten' and the French teacher with whom Robin is getting a good band through a secret they share. If the secretary finds out about this secret, this has major implications for both the teacher and the students ...
A renowned conductor suddenly pulls out of an evening rehearsal of Madame Butterfly. The opera director senses something is going on and forces the musician to explain himself.
Nicole gives birth to a mentally challenged boy after she is gang-raped by American soldiers at the close of World War II in this grim dramatic tragedy. Young Ludo is hidden in the attic of the family home and continues to yearn for his mother's affection. Nicole enters into a loveless marriage with an older man who agrees to adopt Ludo, but her deteriorating mental health leads her to sloth and alcoholism.
Marion Hänsel was cast for this story of a man's job interview for an important position in a company that doesn't go the way he expected.
In this story of friendship and reproductive rights, 14 years in the relationship between two very dissimilar women are chronicled. Pauline is a middle-class city girl, at odds with her very conventional family. Suzanne is several years older, a country girl with two illegitimate children and another (whom she cannot support) on the way. Pauline loans Suzanne money for an abortion. At this point, the two separate and communicate mainly through postcards. Some years later, they meet at an abortion rally, and they have many adventures and stories to share with one another.
A silent teenage girl who works as a tightrope walker tries to keep her balance while crossing Paris.
Berthe, a pretty young woman, has suffered from a mental disease since she was a child. A doctor has tried for years to understand her behavior and to teach her some basic notions such as those of time and emotional expression. But he also tends to use her as a guinea-pig and does not oppose her parents when they decide to marry her as a way to solve her problems. Unfortunately the cure proves worse than the disease as Berthe's husband, who soon tires of her, abandons her and leaves her more helpless than ever... —Guy Bellinger
