Marisa Solinas
Capt. Eugenio arrives in a remote castle to take charge of a unit guarding a nameless prisoner. No one knows much about the inmate as he is held in a forlorn tower. When the captain's wife Adele tries to shake her melancholia by playing the piano, she finds -- much to her surprise -- that she's being accompanied by violin music coming from the prison cell.
A serial killer, called the Iguana, is terrorizing Bologna. He is able to change continuously identity. Grazia is investigating trying to find out the truth about the Iguana.
The incorruptible judge Annibale Salvemini, starts investigating over a classic Italian business/politics/corruption affair. He start to operate, as usual, very strongly. He orders numberless arrests. But the reaction of counterparts won't take long. In fact his strong energetic manners, drive him unintentionally on the opposite situation. Who is the real guilty the judge or the corrupted Italian society?
In '500 a noble Tuscan gives a banquet in which they are told bawdy stories: a cardinal tells dirty stories during a banquet that turns into a purge; a marquise is induced into temptation by an abbot; a tintora has carnal relations with a brother, and the two have a son; prisoner of Charles V , Francis I of France has a relationship with two Spanish and get an acquittal advance by the Pope; a group of cardinals contain a prostitute during a council; the Marquis Cavalcanti, rejected by the bride, vents his cravings with a syphilitic prostitute.
During the student movement in Bologna, Italy. 1968. Angela and Massimo are friends, lovers and college students. They get to know Guido, the heir of a wealthy family who has never known love pure. Impressed by the feeling that binds the two lovers, Guido invites them to move into his house. Soon, in a series of betrayals, confessions, departures and returns, it will create a conscious threesome bound to result in tragedy.
Three couples of young students decide to live together in an apartment the natural way, openly without prejudice.
Jess Vrain returns to town at the request of a former friend to find that everything has changed. Not only has his ex-girlfriend become a refined lady but someone is killing people with the only clue being a rare Winchester rifle.
At the border with Mexico, a brave young woman defends herself from the attack of the fearsome bandit, "Red", mastering a gun and the game of poker. Falling in love with a young Frenchman, he asks her to give up gambling and start a quiet and normal life, but when the young man is killed by "Red", she is determined to seek revenge. Source: SWDB http://www.spaghetti-western.net
Antonio Moruzzo is the son of a butcher with a passion for music and beautiful girls. The father wants him to study but he would rather run around the countryside and sing his songs.
Pat Scotty is hired to eliminate a gang of Mexican bandits led by El Condor. Scotty craftily earns the trust of the bandits, enabling him to trap them all, but in the meantime, genuine friendship and respect have developed between him and El Condor.
An anthology of four adult tales: a young couple tries to hide their marriage and the wife’s supposed pregnancy from their place of employment; a billboard photo of a scantily clad woman comes to life to torment the local censor; a lottery is held in which the prize is to spend the night with a beautiful woman; an aristocratic couple comes to terms with life and marriage after the domineering husband is caught visiting sex workers by the press.
"Jorge Grau's first feature film, shot in glorious black and white in 1962, this Spanish-Italian coproduction is in many ways related to Antonioni's "La Notte". Both films speak about the impairing ability to communicate as well as the desire and impossibility to establish a relationship, and a party as background scenery. Where Antonioni's film depicts a luxurious party in Milan, Grau's version portraits the gathering of several characters with no expectations on the night of the sommer solistice in Barcelona."
