Marko Jeremić
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
How I Was Stolen by the Germans (Serbian: Koko su me ukrali Nemci) is a Serbian movie. Alex (52) is sufficiently renowned writer who is engaged in repairing other people's texts. It is vital, educated, talented but a bit of a misanthrope. One day in his life enters a girl Roma (6). Alex tells her the stories of his childhood ... The movie is a story of the film director childhood.
The film is about the workers unpaid for six years who decide to lay down the driveway in front of their factory. Oki is an unemployed factory worker and union leader. His son Gruja is a movie director unemployed for ten years, he shoots weddings and funerals in order to survive and save enough money to shoot his first feature film. White, unemployed opera singer and Gruja's girlfriend, is trying to make money by singing opera arias from house to house. The story is about ruined factories and workers without someone to lead them to a better life.
Two girls swear their former boyfriends and sent two demons Strahinja and Lola to take them. Strahinja must deliver the main heroes of this world or, by the decision of the judge of the Dark Vilayet, be returned to the unpleasant state of death. The four stories that make this omnibus film, follow main characters which Lola and Strahinja should pick up. Each of them tries to avoid death. You will see how the sanguine, phlegmatic, melancholic and kolerik cope with the death officers.
The lives of three brothers who left their small village in Serbia to live in Sweden. The first one escaped from police, while the other two followed his path.
Saša, a Belgrade University law student, tells her parents that she and her boyfriend Stefan are moving to Canada. That same night Saša and Stefan suffer a car accident. Saša wakes up in hospital and meets Stefan's charming and clever sister Lana, a photographer living in Paris. Stefan remains in hospital to recover. Saša finds out that her mother Lila is having an affair. Her father, a well-known judge, desperately tries to keep the family together. Lana becomes Saša's closest friend - a person able to prove that life is sometimes a mere game. In the midst of historical and family chaos, Saša gets involved in a love relationship with her boyfriend's sister.
Set during the Bosnian war in the early 1990s, Luka is a mild-mannered railway clerk whose life is turned upside down, not just by the outbreak of the war, but when his wife runs off with a local musician. Then Luka's son is conscripted and eventually captured in the fighting. To recover his son, Luka is commanded to guard a pretty young Muslim nurse who will be used in a hostage swapping operation.
Ex-soldier storms supermarket and takes all cashiers captive because one of them insulted his grandmother.
Urban comedy, happening during a night in Belgrade. Mare, Pop and Gojko are three friends who grew up together. Mare and Pop have always been musicians, while Gojko (who was harassed by them in school and nicknamed 'Sissy') became a 'guy in suit', boss of his own club and recording studio.
A sergeant officer lives a life of a loner, reads literary classics and dreams about acting. On his journey by train, he madly falls in love with a prostitute, but her pimp - another passenger on a train - is not willing to let her go, which makes their destiny tragic.
The film takes place in Belgrade in the mid nineties of the twentieth century, when the brutality and violence are becoming part of everyday reality. A series of separate stories each linked inheritance situations. The painful atmosphere of increasing brutality from which you can not see the output as the main motiv is repeated in the question of accountability: "Who is guilty?"
Comedy about teachers and students at a high school in a small provincial town. Mihailo tries to win the heart of a girl his brother is also chasing.
