Marta Aura
Four stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
A tragic and epic love that transcends time and generations unites Maria and Javier forever. During important periods in Mexico (The War of Independence, the Revolution and current times) these souls play out their destiny facing political squabbles, social pressures, family hatred and historical battles, seeking to make a relationship flower which seems fated to die.
Alejandro Gerber Bicecci’s “Vaho (Becloud)” tells the story of three childhood friends, Andres, Felipe, and Jose, and their lives in a dusty, run down corner of Mexico City. The boys were inseparable until they witnessed a tragedy that haunts them to the present day. The tragedy shaped each boy differently, and had a profound effect on their lives.
Remake of Carlos Enrique Taboada's classic film from 1969, IMDB says: "Julieta is a young child psychologist hired by millionaire Eugenio Ruvalcaba, to work with his only daughter, Sylvia, who has severe emotional problems, while staying in their isolated island mansion. Once there, she finds out there's much more to Sylvia's imaginary friend than what everybody knows... and the results can be horrifying..."
Documentary about the life of Mercedes Pinto by three women, student, journalist and writer, go in search of another woman: Mercedes Pinto Canarian writer. The film recovers the memory of one of the most important figures in the defense of the rights of women, to get into what their struggles were vital: gender violence, the social status of women ...
A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.
Marcelo and Sofía love each other, but both suspect the other of infidelity. Marcelo, a film director, accidentally discovers condoms in Sofías purse. They are really for Marcelos younger sister, but he thinks the discovery confirms his suspicions and keeps one as evidence. Sofía discovers the condom in Marcelos wallet and takes for granted that he is cheating on her. Pepe, Marcelos cousin, pretends to be him to impress a girl, further complicating the mix up.
In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.
"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio (Rabal) and Mamá Dorita (Jurado). They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa (Gurrola) the signals of the chosen one. The young girl will be the new leader in "La Nueva Jerusalem".
In the middle of a city facing a new century, a group of friends between the ages of 15 and 18 live out the adventures, deceptions and anxiety of "The First Night."
A bureaucrat gets help from a union leader to obtain housing and credit but struggles to pay for them after he gets fired from his job.
In a miserable circus, a young trapeze artist seduces her father, gets pregnant and decides to have her baby, so she leaves the circus and joins a group of puppeteers who make shows from passages of the Bible.
A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.
Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.
A doctor can predict the death of their patients (Terminal Case), an old man meets a teenager through an ad in the newspaper (Classifieds), two young people are assaulted in the historic center of Mexico City (We're Everywhere), a mechanic confesses that he did not fix the brakes on one of the cars in his workshop (Intolerant), two children witness how some students get beaten while riding the bus (Juliet), Mariana Rodriguez shows us forms in which murals by David Alfaro Siqueiros are constructed (Siqueiros Model), a desperate woman seeks medicine for her mother who has terminal cancer (Ambulance Music) and finally a voyeuristic man asks for assistance to his upstairs neighbors while someone is making love (Neighbours). Eight Mexican films packaged in a 90-minute feature, because life is SHORT.
