Marta Pićurić

‘Borders, Raindrops’ is a film about love, maturity, and hope, growing in a barren and abandoned landscape. The film is divided in two parts, with the protagonist, a young woman – Jagoda – connecting them as a ghostly presence, bringing hope and reconciliation within the two narratives. She is a student visiting family in the summer, living in the declining villages of former Yugoslavia, overlooking the Adriatic coast. In the first story she bonds with a cousin in his mid-thirties, who is building a house in the village, but has no one to marry and live with him. In the second, she helps a teenage cousin understand that his nation is no better than others, and that they all have to learn to live together on the recently established borders.

Father Peter fears that the universe has become indifferent. God no longer intervenes in earthly affairs. Peter's wife abandoned him, his son disobeys him and his mother suffers from Alzheimer's and hardly ever recognizes him. When Peter becomes an obstacle to a large property sale in his small island parish, a group of interesting, but vengeful villagers decides to force him to leave. Using very creative methods, they convince the entire superstitious village that Peter is the cause of all the troubles on their island.

Set in the of the nineties of the past century, Bad Destiny explores the consequences of war on its protagonists and the tragedy which those people carry. Beli returns in small Montenegrin town, after years in prison. During the war in former Yugoslavia, he was a member of paramilitary unit Shadows, which participated in cruel executions.

In a small village of Prchevo in 2006, Montenegrin independence referendum takes place. But in this part of the world, the locals hide American citizen of distant Montenegrin ancestry, in order to make him "their man" against Montenegro's independence. USA looks for its citizen through NATO troops, and the air raid on Prchevo is about to begin.