Martin Collins

Leeds-based Phoenix Dance Theatre’s performance of Sharon Watson’s Windrush: Movement of the People toured the UK to wide acclaim. Now captured on film and screening at LIFF 2019, the performance is the first contemporary dance work to explore the narrative of the arrival of SS Empire Windrush that brought the first Caribbean migrants to the UK. The work is a lively celebration of the rise of multicultural Britain and features an uplifting soundtrack from calypso, jazz, gospel and reggae with original music created by Christella Litras and features set and costume design by Eleanor Bull.

Ordinary young couple Gemma and Richard have just bought their first home and are expecting a baby. It's all very exciting, and the couple settles in nicely to their new pad. Except for the screaming and shouting they hear at all times of the night through their walls from the house next door. Listening more closely, pregnant Gemma is convinced that she's also hearing cries and smacking noises, which she is certain are the sounds of a toddler being abused. She and Richard have seen the child just once, but not since. Feeling morally obliged to act, the couple gather as much information as possible about what's going on next door. And after social services say there's nothing to worry about, Gemma becomes increasingly obsessed and she starts to spy on them in a way that raises questions about who is actually committing the crime — Gemma's neighbours, or Gemma?

In a deep forest, the statue of Venus stands alone. The winter snows end and the ice melts into the river. As the spring arrives, David and Eros, are installed besides her. Venus instantly falls in love with David. While dreaming Venus becomes human and realizes David also loves her. Eros' jealousy alters the love triangle dramatically into a tragedy.