Martin Duffy
Krzysztof Komeda was a jazz pianist and film composer. With compositions like the lullaby for Rosemary's Baby (1968) by Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. This documentary follows the life story of the composer by the means of his melodic sounds. It is a reflection on his soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, about work and exodus of Polish artists in the 50s and 60s. A story about how film music is created and how it affects people. Directors who worked with Komeda and who are also friends talk about him: Roman Polanski, Jerzy Skolimowski, Henning Carlsen and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, recollect him.
Not quite a religious film, not quite a coming-of-age story, not quite a kiddie flick, and not quite a supernatural horror movie, Taliesin Jones's identity crisis nonetheless reveals a sweet examination of one child and his thoughts on God.
An amnesiac youth tries to piece together his past, but what he discovers may jeopardize his future.
Set in 1960s Dublin, a fatherless eight-year-old boy who feels alienated by his family, escapes his reality by deciding he's been sent from Mercury to study life on Earth. His fantasies mirror the life of his hero, Flash Gordon, from the serial he watches each week at the local cinema. His escapades result in dilemmas that drive his mother to such distraction that she turns to the boy's strange uncle for help.
A two-part biography of the Irish writer Samuel Beckett. The first part covers the traumas of his formative years: his ill-fated love affair with his first cousin, the death of his father, and his decorated service with the French Resistance. He had settled in France before the Second World War, met fellow Irishman James Joyce, and begun writing. Patrick Magee's television performance of `Krapp's Last Tape' (1972) is interwoven with key landscapes and personalities from Beckett's life. The second part concludes the story of how Beckett finally began to connect with his audience, principally through `Waiting for Godot'. Includes an interview with the actress Billie Whitelaw, a celebrated interpreter of his work.
