Martin Pechlát
Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.
The young Maria Theresia sees her life clearly in front of her: she will marry Franz Stephan of Lorraine and start a family of many with him. Even if Franz Stephan is not quite sure of his luck and her father, Emperor Charles VI, and his powerful advisor Prince Eugene of Savoy forge quite different plans for them. It looks quite as if the young archduchess must sacrifice her happiness to the cause of the state
A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.
Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.
This time the detectives deal with the case of a murdered professor. One day a cleaning woman finds him shot to death in his own study. The detectives will thus investigate whether the murder is connected with the victim's persistent effort for the removal of the University's quaestor because of the latter's strange machinations during the reconstruction of the University building. And they'll also want to know why the murderer took the great risk involved in killing the victim on the university soil. The search for the answer to the question who could wish the death of the peculiar but honest professor will take them farther than they have expected.
The congenial Vojta is bashful and his family is batty. His short-tempered father, who once failed to swim the English Channel, wants him to be a competing swimmer and his loving mother, a former child ice revue star, sees a talented pianist in her son. But Vojta has completely different priorities - most of all his red-haired classmate Ela, an enchanting synchronized swimmer who is leaving for Paris in November. If Vojta doesn't do something radical, and fast, Ela will disappear behind the Iron Curtain forever. The year is 1989.
The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
Romi (Gabriela Mícová), a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz (Stanislav Majer), the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew" (Martin Finger). He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her work-mates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.
On New Year's Day, two preteen boys wind up in the apartment of Katerina, a teacher from their school, along with her friends, Stepan and David. As the older trio bickers, drinks and flirts, the boys gain eye-opening insight into the adult world.
This adaptation of a book by Jiří Marek consists of four animated episodes that are interconnected by a live-action element.
When a marriage counselor is abandoned by her husband for a younger woman, she sets out for new companionship.
Frantisek Soukenický is a psychiatrist with an apparent life in order ... until the appearance of a former lover scorned. She ends her career and Frantisek ends without a job, his wife (who left him for another man) and homeless. He doesn´t have choice but to start from scratch, and know that everything that happened was his fault. Abandonment, reunions, commitment and the suffering caused certain relationships when they reach their final part of this film that combines drama with dry humor.
A motley of vacationers on a bus headed for a week long vacation at a seaside resort. Among them: a single, moderately famous singer; a nerdy, onanistic man; a couple of old ladies reaching senility; a couple of young gals looking for an amorous adventure; a family with a boy unsure about where he fits sexually; a beautiful woman that, besides working as a trip guide, has pretensions of being a music composer; a couple of gay men; and another family where the parents are stuck in a sexual ice age while their twentyish daughter is looking to connect with a man.
