Mary Vivian Pearce
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
Sylvia Stickles runs a convenience store with her husband and mother-in-law. One day, Sylvia is hit on the head and transforms from an uptight prude to a sex-crazed lunatic. As she goes on a rampage through town, Sylvia attracts the attention of Ray Ray, a sexual healer and tow truck driver in search of the world's greatest orgasm. Their sexual revolution, however, causes a class war in their tiny Baltimore community.
The life and times of Baltimore film maker and midnight movie pioneer, John Waters.
A picture perfect middle class family is shocked when they find out that one of their neighbors is receiving obscene phone calls. The mom takes slights against her family very personally, and it turns out she is indeed the one harassing the neighbor. As other slights befall her beloved family, the body count begins to increase.
'Pleasantly Plump' teenager Tracy Turnblad achieves her dream of becoming a regular on the Corny Collins Dance Show. Now a teen hero, she starts using her fame to speak out for the causes she believes in, most of all integration. In doing so, she earns the wrath of the show's former star, Amber Von Tussle, as well as Amber's manipulative, pro-segregation parents. The rivalry comes to a head as Amber and Tracy vie for the title of Miss Auto Show 1963.
A rich housewife enlists her maid's help to murder her husband; they go on the lam and end up in Mortville, a homeless community built into a garbage dump.
An American short documentary video about the opening of Edith Massey's thrift store in Baltimore.
A documentary about actress Edith Massey in which she talks about her life and her career in film.
The life and times of Dawn Davenport, showing her progression from bratty schoolgirl to crazed mass murderer - all of which stems from her parents' refusal to buy her cha-cha heels for Christmas.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
This improvised film is based on the true-life suicide of TV personality Art Linkletter's daughter, Diane. Mr. and Mrs. Linkletter fret about their daughter's recent behaviour, which includes taking drugs and dating a lowlife named Jim. Eventually, the parents confront Diane… with tragic consequences.
Lady Divine becomes enraged when her boyfriend cheats on her, and descends into a life of murder and mayhem.
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of the Virgin Mary, strange chicken-foot grafting operations).
John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never shown commercially.
John Waters' second film, shot on 8mm, and featuring Divine for the first time. Essentially a plotless collage of random incidents involving sex, drugs, religion and The Wizard of Oz, it was shown with an equally random soundtrack mixing “obnoxious radio advertisements, rock 'n' roll and press conferences with Lee Harvey Oswald's mother”. It was shown three times in public, but never released commercially.
The lurid wedding of a black man and white girl, with a Ku Klux Klansman performing the wedding ceremony. John Waters' first film, made on 8mm, given one showing (making back its budget of thirty dollars) before being retired to his closet.
