Masami Horiuchi
Yuta, a young master at the Tsukiji Fish Market, accidentally drops his meal of mixed seafood into the Sumida River. Some time afterwards a gigantic mutated squid monster arises from the depths and begins to wreak havoc upon an awe-stricken Tokyo. Attempts by the Japan Self-Defense Forces to stop the creature prove futile. As it seems things couldn’t get any worse an enormous mutant octopus monster emerges from the deep and heads into a clash of the titans with the gargantuan squid! As a last ditch effort, the government forms the “Seafood Monster Attack Team (SMAT)” and an all-new plan of attack is immediately put into action. But just as the tide appears to be turning in humanity’s favor, a colossal crab monster appears, joining in the Monster Seafood Wars and plunging the world into culinary chaos…
Genshiro Kusaka, who runs a detective business in the Edo city, had a contract with Shinigami Juran. A "prostitute serial murder case" occurred at the Great Yukaku in Yoshiwara. How does both Genshiro and the Shinigami gonna solve it?
Boyatetsu travels to the year 2020 in Tokyo from the year 1945. Tokyo is now plagued by a decreasing population and an increase in unemployment.
Straight to video film directed by Minoru Kawasaki
The strangled dead body of Hiroshi Hatano, accounting section chief at the longstanding apparel company Edaka International, is discovered in his apartment in Tokyo. At the scene, Inspector Totsugawa and Detective Kamei find out that a mysterious email stating "I'll be riding the Super Ozora 5 tomorrow" was sent to the victim's cell phone the night before. The sender, Manami Furuya, an employee of Edaka International's Planning Section, has strangely terminated her cell phone service and hasn't shown up to work that very morning. Immediately afterwards, Totsugawa is astonished to receive a report from the Hokkaido police stating that the body of a man, stabbed to death, has been found on the Super Ozora 5 limited express. The man is Yuuki Nakamura, a bar employee from Tokyo, who seems to have flown from Haneda Airport to Sapporo and then boarded the Super Ozora 5, which connects Sapporo and Kushiro. Totsugawa has the feeling that this can't be a coincidence...
The 95th NHK Asadora is about Sumire, a girl born in the uptown of Kobe in the early Showa period. In the wake of wartime devastation, she works hard toward making children's clothes for a living, and later establishes a first-ever children's goods store in Japan. -- NHK
Natsume Mochizuki works as a teen model in Tokyo, but she learns that she has to move to her father's hometown of Ukigumo. She is in a desperate situation because she can't do the things she wants to do in Ukigumo. One day, she meets Koichiro Hasegawa. He is the successor of the Hasegawa family. His family is wealthy and is respected in the area. Natsume Mochizuki and Koichiro Hasegawa become attracted to each other, but something changes their fate.
The dead body of Maki Tsujimoto, a popular stage actress, is discovered in a theater in Oji. After striking her in the back of the head with a bronze statue prop, the criminal laid the body on the floor and pointed a light at it, "directing" the crime scene as if it were a scene from a play.
Ieji Hisashi, a salaryman who works for a securities company, has a fuzzy memory of the recent five years because of an accident at his job posting. His wife of five years, Megumi and their 4-year-old son seem to wear masks. He can neither tell their facial expressions nor their emotions. He also struggles about his love for them. On the other hand, Ieji feels an attachment to his ex-wife, whom he divorced five years ago, and their daughter. What sort of days did he have in those five years which are a blank to him? Ieji sets out on a journey to find his past self with a mysterious bunch of 10 keys that he has. He becomes aware that he was a cold, career-minded man before the accident, and the persona that is gradually revealed is beyond the imagination of his present kindhearted self.
Bunsei era, at a time when Edo culture is at its peak, and barely 50 years before the arrival of the Meiji Restoration in 1868. Sabu is a cheerful, honest young man who left his hometown with the dream of becoming a policeman. He is an informant to the policeman Saheiji of Asakusa in Edo and stays with him and his daughter Midori. One day, Sabu encounters the cool master swordsman Ichi, who makes a living giving massages, and they become partners in an unexpected way. Although Sabu is still an informant, he and the blind Ichi collaborate in a way that compensates for each other’s shortcomings. Sabu becomes Ichi’s eyes while Ichi becomes Sabu’s right-hand man and solves cases with his well-honed skills of deduction as they search for the truth in difficult cases in Edo. One case starts with the discovery of two dead bodies in the Sumida River. The bodies have diagonal slashes and were left in boxes.
Dan (Mitsu Dan) is a former geisha, now working as an ace pilot for the Earth Defense Troops. Her fiance was killed by the space monster Bemurasu which consumes nuclear waste. To save Planet Earth, Dan attacks Bemurasu, but whenever she does, she feels ecstasy. Can she save Planet Earth?
Drama depicting the Tohoku earthquake and tsunami that occurred on March 11, 2011 from the perspective of a female doctor. Takako Kawashima works as head anesthesiologist at the Sendai Medical Center. She balances her married life with help from her husband Teiichi, who runs a private clinic, but their lives are upturned by the disaster.
aka Aquarian Age: The Movie, is based on the popular Japanese CCG (that's collectable card game, for you gaming neophytes), Aquarian Age. The movie represents the transition between the game's first and second Sagas and seems to have been made primarily for fans of the card game, so familiarity with the basic story and characters is assumed. Those watching the movie without first reading the background info in the included booklet are going to be totally lost about what's going on, as the movie begins right in the middle of the climatic battle which wraps up the first Saga. Though it uses the same organizations as the Aquarian Age TV series, the movie does not seem to be directly related to the TV series in any way. (I cannot absolutely confirm this, however, since I only ever saw the first few episodes of the TV series.)
Sabine is able to transform into a silver superhero through the power of the Ring of Nibelungen. She travels to Japan where she searches for her father and battles the forces of Dr. Caligari.
Mars Canal - Within absolute silence, a naked man wanders through a dark and depressing landscape recalling the excruciating details of his last encounter with his former lover. Mirror Hell - When a series of women are discovered with their faces burnt and skulls charred, a young detective investigates, discovering that a unique hand mirror is always found at the scene. Caterpillar - A war hero returns home with no limbs and only his eyesight remaining. His beautiful wife, tired of taking care of him, turns to torturing her crippled husband for amusement. Crawling Bugs - A sexy actress is returning home from a successful night on stage, until her limo driver decides that she should be coming home with him.
Satomi is a research student who travels to northern Japan seeking reported olden Christian relics. On the island of Hokkaido and in a village, odd deeds are occurring. As such, she bands together with another researcher and locals to uncover the truth and understand the infernal happenings of which there are many.
When the clock's hand turns into a knife, parent-child bonds are torn!
Tange Sazen: Hyakuman Ryo no Tsubo is a remake of a classic 1935 film of the same name by Yamanaka Sadao. Tange Sazen, the one-armd, one-eyed ex-samurai swordsman is the creation of Hayashi Fubo and was one of the most popular characters of the era. This remake is helmed by freshman director Tsuda Toshio, starring Toyokawa Etsushi as Sazen and Wakui Emi as Ofuji, his quick-witted wife. This marks the 34th film in the series of Tange Sazen, and involves an Urn that is worth a million Ryo!.
The TLT is a covert international anti-monster unit established secretly to combat Space Beasts, mysterious monsters that are out to attack humans in the year 2009. One of the TLT's new recruits, Kazuki Komon, is attacked by one of them prior to reporting for duty. However, he is saved by a silver giant that he names "Ultraman". What no one knows is that the silver giant is an Ultraman — to be precise, Ultraman Nexus, ready to fight the Space Beasts to save the planet Earth.
Strange things lurk in dreams. For Mukoda Tetsurou and the doctors tending to him, things have begun to get stranger as Mukoda begins having longer and longer dreams every night. Can one dream infinity in the span of a night?
Ultraman Gaia is a Japanese tokusatsu TV show and is the 13th show in the Ultra Series. Created by Chiaki J. Konaka and produced by Tsuburaya Productions and Mainichi Broadcasting System, Ultraman Gaia was aired on JNN TV stations from September 5, 1998 until August 28, 1999, with a total of 51 episodes.
The brilliant detective Kogoro Akechi has shied away disillusioned. A puzzling murder involving falsification of erotic art makes him, however, to return to work. Two tales of horror author Edogawa Rampo faced each other in this murder mystery.
The landlord of a boarding house in 1923 Tokyo, is keen on spying on the bizarre close encounters taking place beneath his roof. One day he sees a prostitute killing a customer, and decides he’s found his soulmate.
The ASH (Abnormal Species Humanoid) first appeared in the beginning of the 1980s. They looked like humans, but they weren't. The ASH can be identified by a pulsating appendage on their back; it resembles an embossed root clutching the spine. These humanoid creatures have the power to destroy telepathically via a deadly impulse which hemorrhages brain cells. Their goal is to populate the planet via random sexual contact and then take control. There are special police units who fight the ASH. This top secret organization is called The Society For Environment Protection and its agents are called psychosists
A rape incident has occurred. The victim was a woman named Yumiko Kawamura (Keiko Kaga), a dental hygienist. However, the statements of the victim Yumiko and the suspect Saburo Kubo were completely incompatible. Adachi, a national lawyer who took on the defense of the suspect, will begin a personal investigation of Yumiko to find out the truth of the case.
A series of serial murders occurred in a historic ruins where a TV crew is shooting a documentary.
Nagare, a painter who wanted to commit a lover’s suicide with Mizue, the wife of his friend and patron Takigawa. Growing afraid at the last moment, he doesn’t go through with it – but Mizue sinks to the bottom of Blue Lake. Some time later, Nagare follows an invitation by Takigawa, who claims to have forgiven everything. To Nagare’s shock, Takigawa’s new wife, Ameko, looks exactly like Mizue. While staying as Takigawa’s guest, Nagare becomes haunted by Mizue’s ghost, who wants to be reunited with him at the bottom of Blue Lake.
Yoshiko Sejima gets a call from a man claiming to be from her husband's company. He tells her that he will come to pick her up on behalf of her husband. It turns out that he's a kidnapper and takes Yoshiko to a hotel, and proceeds to rape her. This man Fuji Nakatogawa calls Yoshiko's husband but doesn't request a ransom. He's just bent on humiliating Yoshiko to submission to be his sex slave.
Utamaro was an artist who lived in Edo (which was later to become modern-day Tokyo) in the late 18th century. This film, which has a complex and wide-ranging storyline, recreates the world of that time, as it appeared in Utamaro's paintings.
Based on the manga of the same name. Originally published in the Japanese magazine Weekly Playboy. It follows Ippei Yasuda, son of a prominent family, who is immensely gifted in nearly everything he does.
A woman who lost her memory after experiencing the atomic bombing of Hiroshima.
When his pistol is stolen, police detective Murakami is humiliated, especially when the gun is later implicated in a crime. Working with his superior, Chief Detective Sato, Murakami works feverishly to trace the location of his pistol, ultimately clashing with a gang of youthful Okinawans.
