Masao Mishima
Yuji, a budding writer, meets and starts falling in love with his best friend’s girlfriend, Natsuko. The attraction is mutual but due to the circumstances, they try to not act on their attraction. However, as time goes by, they realise that, perhaps, they cannot be without each other. Will the forbidden love affair move forward and can they finally be with each other?
The story takes place in feudal Japan, when any commerce with the rest of the world was strictly prohibited. An idealist suddenly appears in an isolated inn (the one that the title refers to), the head-quarters of a group of smugglers, with stolen money intended to ransom his loved one who is forced to work in a brothel.
After winning big at the races, Torajiro Kuruma wants to take his aunt and uncle on a trip to Hawaii to partly pay the great filial debt he feels he owes them, but the plan hits a snag. Also, a pretty kindergarten teacher rents a room at Toraya.
A beautiful hostess of a small restaurant moonlights as a well-trained assassin tasked with taking the life of a wealthy businessman...
Ichibei is assigned by Shogun Tokugawa to prevent the sale of a Dutch ships-load of rifles to the hostile Shogun Satsuma. On his mission he meets a cowardly Ronin who becomes his assistant, as well as a female spy and a female warrior...
In a high school, two men are fighting over a beautiful female teacher who has been assigned as an English teacher.
Horus, a kid living in an unnamed Scandinavian/Eastern Europe culture of the Iron Age, recovers the Sword of the Sun from the rock giant Maug and learns from his dying father that he must return to his ancestral territory. In the process, he defends a village from the attacks of Grunwald, a warlord/ice demon and befriends the enigmatic Hilda, a lonely and beautiful girl who sings haunting songs (and who hides a terrible secret).
"The Time of Reckoning" transforms a screwball-comedy plot into a sober study of a successful businessman with serious relationship problems involving three women: his wife of ten years who announces she is pregnant by another man; a mistress who wants to have a baby with him; and an ex-lover who claims he fathered her son.
The year is 1926. It has been three years since the Great Kanto earthquake hit Tokyo. Everything is being rebuilt from the ground up. Odera crime syndicate saw this as an opportunity to expand its territory. The Odera boss arranges marriage between his daughter Orin (Ruriko Asaoka) and the son of notorious Gyotoku clan, but Orin’s heart belonged to Shinjiro (Yujiro Ishihara), a member of her father’s clan.
In the year 1786, Shogun Ieharu Tokugawa selected beautiful Ochisa to be his concubine. It causes other concubines to become very jealous and mean. When the Shogun passes away, his concubines are forced to become nuns, which they are not happy to be. The subject is life inside a shogun's harem, and the treatment is again more restrained than in most of the historical pinku eiga films being produced by independents at the time, but the tone of this middle installment in the trilogy is decidedly more grim than that of its predecessor. There's a good deal of abuse and violence on display, as the shogun dies and his concubines are sent to a remote convent to become buddhist nuns. the hysterical nuns are being punished for their transgressions and committing suicide in grand exploitation fashion.
Toshiro Mifune stars as Isaburo Sasahara, an aging swordsman living a quiet life until his clan lord orders that his son marry the lord's mistress, who has recently displeased the ruler. Reluctantly, father and son take in the woman, and, to the family’s surprise, the young couple fall in love. But the lord soon reverses his decision and demands the mistress’s return. Against all expectations, Isaburo and his son refuse, risking the destruction of their entire family. Director Masaki Kobayashi's Samurai Rebellion is the gripping story of a peaceful man who finally decides to take a stand against injustice.
Our hero Zatoichi sails to one of the distant islands to begin a pilgrimage to a total of 88 Shinto shrines.
Framed by his enemies, Manbe finds himself imprisoned for a murder he didn’t commit. His only hope lies with his daughter Yuki who takes it upon herself to clear his name.
Also known as "History of a Man’s Face" and "By a Man's Face Shall You Know Him" . Immigrant gangs terrorize a Japanese town with their threats, loud jazz, and tasteless fashion sense, and only the tough but suave Dr. Amamiya (Ando) can stop them, as long as he gets rid of his silly peace-loving ideals.
In turbulent 16th-century Japan, the leaders of a minor fief have their child taken from them as a political hostage. His mother and his clan endure years of tribulations until he can return.
A young man with a strong sense of justice is torn between two girls: the flighty Taneko and the serious Suzuko. With wisdom, courage and honor in a Japanese spirit of manliness he wins the day.
This is the story of a bad man who re-discovering humanity via woman and child while clashing with the yakuza and being hunted by a man called “Death” who has his own dark past. The prototype for the later two yakuza priest series with Shintaro Katsu and Tomisaburo Wakayama. Apparently so. And the swordsman motif seems to have been concurrent with Daiei's first ZATOICHI production.
This tragic drama shows a young man fettered by Bushido, the way of the Samurai, who tried to escape the chains of his position, but was being forced to die. When the Tokugawa Shogunate ruled the land, Tatsuno castle in Wakisaka Clan's home of Harima held an established custom, the inspection of the arms warehouse. The Government Inspector Okuno Magodayu found a slight bit of dirt on the point of a spear and mentioned it with disdain. Ezaki Shinpachi heard it and started an argument with him. Magodayu then sent a a letter of challenge to him because he felt insulted by a low-ranking underling without a title. As it turned out Magodayu was killed. Since then, Shinpachi and the Okuno family have had continuous revenge duels. The tension mounts as this story builds to an extremely violent climax, when blood must pay for blood if the clan is to survive!
In this exciting sequel to the popular samurai-ninja movie Ukyunosuke On Patrol, his mission to avenge his father's death continues. His discovery of a mysterious note written by his father, Inspector Sena, held a clue to the inspector's murder 18 years ago. As Ukyunosuke continues further with his investigation into the conspiracy to uncover the truth behind his father's death, he must confront those eager to take his life. The great Okawa Hashizo shines in one of his signature roles bringing the ultimate conclusion of this epic tale of murder and revenge!
The final film in the 20 Duels of Young Shingo trilogy directed by Sadatsugu Matsuda.
Shinko Terasawa was always considered to be the odd ball of the bunch. At a time when romance was against school regulations, Shinko was the first to take a bite out of the forbidden fruit. Expelled from her former school, she finds herself in an all-girls school in Jokamachi, where rumors fly. One day, Shinko delivers an anonymous love letter addressed to her English teacher, Ms. Shimazaki. Convinced that the students are playing a prank, Ms. Shimazaki is adamant about getting to the bottom of this "problem”.
This is one of the most powerfully effective ninja films that dispenses with the silly magic of earlier efforts, and concentrates on an excellent story with expert fighting. Sena Denemon is the rarest of government officials, a man of integrity, sent on a mission to uncover the corruption that ran rampant during the Edo Period. Refusing bribes, and willing to put his life on the line to raise his son properly, heinfuriates the corrupt Inspectors; thus endangering his own life. Along with his two trusted vassals, he makes a brave effort to alert the Shogun to the plot which is being carried out. After the battle, his son Ichitaro joins the Chichibu ninja group in order to master fighting so he, too, can fight the forces which have brought about so much suffering.
Ide of the Kokusai Rayon Company visits a supermarket and finds cheap shirts being passed off as his company's products. But a closer look reveals that the last letter of "Kokusai" has been changed to "n" and reads "Kokusan." The buyers, however, are all under the impression that they are buying Kokusai shirts. Ide begins an investigation to find out where the shirts are being made, but before he is able to uncover anything, he is killed on a train and his little black book, filled with secret data, is stolen. Sugino then starts a one-man search for both the killer and the factory turning out the cheap shirts.
Frustrated with the bad behavior of his lord, Inaba Yajuro (Otomo) declares that he is leaving the clan and sets off on a journey that leads him into a small town besieged by a violent group of brigands. In a kind of homage to Kurosawa's 7 Samurai, the townspeople have been unable to defend themselves and Inaba sets out to teach them how to stand up for themselves. Meanwhile the vile Lord Yasumasa has sent the 4 finest swordsmen in the clan out to hunt Inaba down and kill him. Led by the magnificent Ichibei (Konoe), a master of weaponry in his own right, everything points to an ultimate showdown between the former friends in a battle to the death.
A story about four best friends and their lives inside and outside college. Then suddenly one of them receives a surprising offer to be a movie star.
In 1730, the Tokugawa Shogunate orders the Yagyu Clan to repair a huge shrine. Since it cannot refuse the Shogunate's request, the impoverished Yagyu Clan tries to raise funds by obtaining a sword which holds the key to a wondrous, hidden treasure. After learning the sword's secret, Tange Sazen sides with the Yagyu Clan, but his motive seems to be more than just pure interest in the treasure...
[Period covered: 1595-1600] Third film in the famous shinobi no mono series. We last saw ninja Ishikawa Goemon (Raizo Ichikawa), as he was about to be boiled alive. But a good ninja is both hard to find, and even harder to kill. With the help of the enigmatic Hattori Hanzo, Goemon lives to skulk another day, and sets his sights on bringing down the warlord who tried to turn him into soup – Toyotomi Hideyoshi. And as always, in the background, the suble hand of Tokugawa Ieyasu is pulling strings as he plots to rule all of Japan!
Movie adaptation of the 1959 ninja novel. With war against Korea looming on the horizon, Hideyoshi Toyotomi, the 'Taiko' becomes the target of an assassination attempt to be carried out by the Iga Clan of ninja spies. Master spy Juzo Tsuzura (Ryutaro Otomo) is assigned the task, but first he must defeat a former Iga spy who has become a traitor, and outwit the treacherous woman that is trying to seduce him.
Celebrated detective Akechi matches wits with the infamous and devious jewel thief Black Lizard after the criminal orchestrates an elaborate kidnapping.
Satoko is a mistress by trade, or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner, a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.
Kichizaburo, a samurai keeping peace in Edo, helps a young geisha Kozome avenge her father’s death.
A kabuki actor is assassinated during a New Year celebration show, in front of everyone, fortunately the great detective Umon is among the audience. Along with his quirky assistant they set on the trail of revenge killing. Revenge for what? Who and where is the killer? And what does a treasure and swastika spider tattoos have to do with the case?
Ishihama is planning a casino robbery with his wife and mother-in-law. They meet a man named Tsuneda who is planning the same robbery and agree to work together.
Three young yakuza, Fujitaro, Matsugoro and Kanjuro, travel the country fighting evil.
With plenty of action, and a strong story about the growth and development of an expert swordsman, who just happens to be from an extremely privileged background.
In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.
The epic battles between the Heike and Genji (Taira and Minamoto clans) take centerstage as the defeated leader of the Genji, Minamoto Yoritomo resolves to end his clan's exile and avenge the brutal loss in December, 1159 as they had fought under the white banner of the Emperor, while the Taira fought under their red flags in a battle to the death. The fight only took one day, with the Genji suffering utter defeat which led to their exile. His father, Yoshitomo, took responsibility for the loss and rather than live in humiliation, he decides to commit suicide with all his sons following him. However, the bravest warrior among them, Yoritomo stands tall and declares that he will not kill himself, but rather will fight to restore the clan.
The second film in the 20 Duels of Young Shingo trilogy directed by Sadatsugu Matsuda.
After their father quarrels with local military men, Anju and Zushio are forced to flee, but they are captured and sold into slavery. When their mother dies, they are sold to Sansho the Bailiff, a cruel man who subjects them to hideous torments. While Anju falls into a lake and is transformed into a swan, Zushio escapes and after being adopted to a nobleman grows to a young man. He will then fight to defeat the evil Dayu and free all the slaves.
Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.
A family is brutally murdered in their own home and the official government's sake dealer is framed as a rebel by a corrupt member of the Shogun's Council of Elders. Young Lord decides to take on the Shogun's vile chief attendant.
A successful textile industrialist from the provinces, who is beloved by his employees for his kindness, cannot find a wife because of a disfiguring birthmark on his face. Even the courtesans in Yoshiwara refuse to entertain him, until an indentured peasant prostitute, Tamarazu, takes the unsavoury assignment and treats him with brash tenderness.
Young girl Kichiza searches for her missing brother and the person responsible for the death of her parents.
Kohei Misugi works in a vegetable market, but his ambition is to be a photographer. He is given his first opportunity to demonstrate his talent by the Sakura Film Company which offers him an assignment to "Cover Tokyo" with a camera. But he is disillusioned when he is told he must work together with Miharu, a good looking girl in the film company's publicity department. Then the fun begins.
A Japanese pacifist, unable to face the dire consequences of conscientious objection, is transformed by his attempts to compromise with the demands of war-time Japan.
A classic battle between good and evil pits an unscrupulous fortuneteller who has been preying on the good citizens of Edo against a master-less samurai who founded a school for underprivileged children in a poor neighborhood. Into the mix comes a young woman running away from a forced marriage disguised as a teenage boy and becomes a student of the beloved Sensei, while he staves off the advances of a skilled pickpocket and prepares for a bloody showdown against a direct retainer of the shogun!
Featuring some of the finest swordsmen ever to grace the silver screen, this Toei classic tells the story of a battle between the evil sword style called ”Otonashi” (The Silent Form) and the proper way of swordsmanship as promoted by such historical stalwarts as Shimada Toranosuke, and the mysterious Honda Sakon, who face off against a group masquerading as the lord of Mito and his traveling bodyguards Suke-san and Kaku-san. The plot thickens as their leader unveils his secret plan to disrupt the stability of the nation. It is all in the name of swordsmanship, and as the title implies there are no stronger swordsmen!
Kiku and her brother Isamu are social outcasts, children of a prostitute mother and black GI father, in postwar Japan.
Drama which shows the struggle of Fumiko, a female teacher, at work and at home.
Set in the 1860s, the final years of the Tokugawa Shogunate, The Fireflies focuses on Tose (Awashima Chikage), the mistress of the Teradaya, a small inn in the Kyoto suburb of Fushimi. She does not have an easy life. Her husband, Isuke (Ban Junzaburo), is a wastrel who fancies himself a kabuki singer and who is obsessed with cleanliness. Her mother-in-law, Sada (Miyoshi Eiko) dislikes her because of her humble origins (her family are farmers) and because she fears that she will inherit the inn instead of Sugi, her daughter. Sada's hopes for Sugi, however, are dashed when she runs off with a con artist and leaves her child behind for Tose to take care of. When Sada becomes seriously ill, it is Tose who nurses her. On her deathbed, Sada asks her daughter-in-law's forgiveness. Meanwhile Isuke spends most of his time with a mistress he has taken, forcing Tose to manage the inn by herself
One of Japan’s most popular folklore characters, Tange Sazen, the one-eyed and one-armed swordsman, must rescue the Yagyu clan from the treachery of a master plotting to take control over a sword fighting school.
When Boss Juzo's Shinmachi Yakuza family struck fear into the hearts of his adversaries, Boss Shohei's Okabe Yakuza family with a merciless gang of raiders, Itaro of Asama was missing. With the courage of a lion he had gone off to face the enemy and settle the score all by himself. As a result he had to take the blame in place of Boss Shohei, and went off to adventures on his own.
Based on Matsumoto Seicho's classic mystery novel of the same name, the story centers around a group of detectives who are determined to find the truth behind an apparent double suicide.
The humorous tale of Jimbei, a miller, and his wife Osen who live in complete happiness. But Osen's beauty attracts numerous would-be lovers among whom is the local governor, a timid creature, who is dominated by his high-born and beautiful wife, who dresses in a scarlet battle-tunic, a sign of his family's military merit around which he fabricates fantastic tales of his prowess in war. During the traditional festival when the villagers are released from observance of all social customs and restrictions, it is permissible for any man to attempt win the favors of the one he loves. However, the timid but romantic governor goes to the length of having the miller arrested to clear the way for his seduction of Osen. But Osen fights off his advances with an old hunting gun and dashes out of the mill. Jimbei, meanwhile, has escaped from jail and dashes home to finds the governor in his bed. Convinced that his wife has been violated, he decides to take an eye for an eye.
The love between young college students Toki and the handsome Takaga is tested when Takaya's parents, who despise Toki's family's geisha house business, intervenes in their relationship.
Genji Kurô is a master swordsman and entrusted with protecting the ancient sword Kaen by the Otsubo family.
This 1956 adaptation of the novel with the same title puts more focus on the characters and their interactions than the previous version.
Ryutaro is a spy employed by the shogun Tokugawa Iemitsu, who is the target of assassination attempts that aim to hand power over to his younger brother Tadanaga. Before learning of these plots, Ryutaro discovers himself in a predicament of his own when he rushes to the defence of a local girl who is caught between her boyfriend and a greedy businessman. The situation results in many violent one-on-one skirmishes between Ryutaro and the businessman’s many samurai defendants, one of whom enigmatically refuses to reveal his face or use more than just the one hand. Before long, Ryutaro’s top priority is not protecting Iemitsu as it should be, but rather unearthing the true identity of the mystery samurai.
The story of Japan’s greatest warrior, Miyamoto Musashi, after his historic duel with Sasaki Kojiro on Ganryu Island.
A group of five rookie insurance salespersons, driven to desperation by the impossibility of their work in Japan's failing postwar economy, form a plan to rob a cash delivery truck in order to provide for their families.
Lending money, job hunting for civilians and babysitting. All these things are usually not listed on a policeman's job description. But for the officers of this local police station, it‘s part of their daily routine. One day, patrolman Yoshii (Hisaya Morishige) finds an abandoned baby and a six year old girl standing in front of the station. When he's declined by the welfare office, orphanage and local health clinic to take them in, he decides to take care of them himself.
The female members of the family of the Minister of Health and Welfare, who has just proposed a program of birth control, become pregnant one after the other. - Nikkatsu
The story about the rise and fall of the famed mercenaries, Shinsengumi, who are hired by a crumbling feudal government.
Onna Hitori Daichi wo Yuku (A Lonely Woman in a Lonely Land, Kinuta Production, 1953) was the second feature film directed by Kamei Fumio, who is known as a master of documentary films, and followed his “Haha Nareba Onna Nareba(Become a Mother, Become a Woman)” (1952).
Just before the end of the war, Japanese soldier Kitani is released from prison, having served his term for theft. Told in flashback, viewers learn about Kitani's past and reasons behind his prison sentence.
Okaasan is the story of a poor, working class mother with a sick husband who sacrifices herself to support her family in suburban Tokyo. The film defines "Shomin Geki," a Japanese film genre that features realistic depiction of the economic underclass, told with elements of light comedy and melodrama. Okaasan is the best-known work of director Mikio Naruse, hailed by Japanese film historians as an equal of Kurosawa, Ozu and Mizoguchi, but under-appreciated in the West
A gallant swordsman takes on the forces of evil with the help of his trusty friends.
Italy is usually cited as the anchor of the neo-realist movement in cinema, but Mikio Naruse's Ginza Cosmetics (1951) is a reminder that Japan had its own output equally rooted in realism. Set in Tokyo's Ginza district, this low-key, lyrical unassuming account of a few days in the life of a luckless geisha (Kinuyo Tanaka), as she struggles to make a living for herself and her young son, has few dramatic highs or artificial moments, but possesses a startlingly vivid power in its slice-of-life texture.
During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!
Ebihara is a budding novelist entangled in a complicated web of relationships with three women from three different generations: Kazue, a coquettish teenage war orphan who tries to offer herself for money but is instead taken in by Ebihara, Koyabu, a middle-aged woman who has spent much of her life as the kept woman of a wealthy man, and Teruko, the modest daughter of Ebihara's former teacher who comes to rely on him after the death of her father.
A village struggles to survive when the nearby lake becomes barren of fish.
An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.
Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
This film focuses on Koreans living in Japan. The filmmaker’s humanism comes across in the portrayal of a girl living in a shabby tenement, the warmth of a Korean girl she meets, and the friendliness of this Korean girl’s family.
Three IJN flyers Mikami (Susumu Fujita), Kawakami (Masayuki Mori) and Murakami (Akitake Kono) are good friends, and they are all renowned for their torpedo techniques. Mikami is posted as a staff officer at a base on an island in the Pacific. Kawakami and Murakami later joins him as the base squardron is reinforced. The enemy task force approaches the island and all three of them attack the fleet, killing themselves in the process.
Drama about a couple and how they found themselves related with music, their egos and each other.
This film, directed by Mikio Naruse, is a study of a one-year marriage that begins to crumble. A married man is torn between the love of his wife, and the attraction to a cousin of his wife. (This film is notable for having two giants of Japanese cinema among its employees, Ishiro Honda and Akira Kurosawa).
This film is based on a real Meiji era performer -- and tells of Tochuken's partnership with his wife (played by Chikako Hosokawa) who played shamisen for his songs/recitations), his affair with a geisha (Sachiko Chiba), and the deterioration of his partnership and marriage.
As suggested by the title, this film takes up the theme of the city, beginning with a series of traveling shots from Chiyo's point o view on a bus leaving the countryside and entering the metropolitan cityscape. After some fruitless job hunting in downtown Tokyo, Chiyo accepts a job as a bar hostess in Shiba ward. Well away from glamorous Asakusa and Ginza, this is a neighborhood bar where the women are dirt poor, each having only one kimono to their name....
Three sisters earn money for their bossy mother by being samisen street musicians. This means mainly playing a banjo type instrument for tips in bars...
